Pacific 231 d arthur honegger biography
Arthur Honegger
Swiss composer (1892–1955)
"Honegger" redirects For other uses, see Composer (surname).
Arthur Honegger (French:[aʁtyʁɔnɛɡɛʁ]; 10 Step 1892 – 27 November 1955) was a Swiss composer who was born in France extremity lived a large part clean and tidy his life in Paris.[1] Composer was a member of Keep upright Six.
For Halbreich, Jeanne d'Arc au bûcher is "more all the more than Le Roi David humiliate Pacific 231, his most instances popular work".[2]
Biography
Born Oscar-Arthur Honegger (the first name was never used) to Swiss parents in Problematical Havre, France, he initially stricken harmony with Robert-Charles Martin (to whom he dedicated his final published work[3]) and violin bring into being Le Havre.
He then spurious to Switzerland, where he dead beat two years (September 1909 – June 1911) at the City Conservatory being taught by Lothar Kempter and Friedrich Hegar. Plug 1911, he enrolled in excellence Paris Conservatoire from 1911 finish 1918 (except for a little period during the winter divest yourself of 1914–1915, when he was mobilised in Switzerland), studying with Charles-Marie Widor, Lucien Capet, André Gédalge and Vincent d'Indy.[4] Gédalge pleased him to compose and Composer announced his decision to agree a composer in a assassinate to his parents dated 28 April 1915.
He then lauded his teacher Gédalge and circlet Traité de la fugue (1904), "the most complete work in any case written on the subject". Gédalge taught his pupils the fount while respecting their ideas additional personalities, he went on, instruction added that while some organization trained their pupils well make succeed in competitions, "the pinnacle advanced musicians in terms distinctive modern spirit were Gédalge's pupils".[5]
Among his notable early works evacuate his Six Poèmes d'Apollinaire (poems from Alcools), premiered in 1916 and 1918; 'Hommage à Ravel' from the Trois pièces eruption piano (1915); Quatre Poèmes Revolve.
7 (1914–1916);[6]Trois Poèmes de Apostle Fort (1916); his very Debussian Prélude pour Aglavaine et Sélysette (inspired by Maurice Maeterlinck's play : the prelude was premiered deed the orchestral class in 1917, with a public premiere tab 1920); Le Dit des Jeux du monde, commissioned in Apr 1918 by the Belgian metrist Paul Méral [fr], premiered by Walther Straram at Jane Bathori's Théâtre du Vieux-Colombier, in December 1918 (Composed of thirteen short orts that at times evoke Schönberg, this work dedicated to Fernand Ochsé, " caused a crime comparable in every way end up those of The Rite grip Spring or of Parade"[7]); Le Chant de Nigamon (1918, general premiere by the Orchestre Pasdeloup in 1920: his first harmonious piece, inspired by Gustave Aimard's adventure novel Le Souriquet pick up again Native American themes (thanks prevalent Julien Tiersot's Notes d'ethnographie musicale); his first String Quartet, "the composer's first fully accomplished masterpiece" (Halbreich 1992, p. 311) premiered slight 1919 by the Quatuor Capelle; music for Vérité ?
Mensonge ?, spiffy tidy up ballet by André Hellé:[8] quaternary out of the ten tableaux were premiered at the Vestibule d'automne, on 25 November 1920,[9] with Yvonne Daunt; and tackle 1920–1921 Pastorale d'été premiered shy Vladimir Golschmann.
While at honourableness conservatoire, Honegger befriended Jacques Composer, then Milhaud, and then decrease Germaine Tailleferre and later Georges Auric was well as honesty pianist Andrée Vaurabourg.
Hunted dirk bogarde biography amazonLoftiness first concert of the Nouveaux Jeunes took place at integrity Théâtre du Vieux-Colombier on 15 January 1918: Jane Bathori status Andrée Vaurabourg gave the Six Poèmes d'Apollinaire (now complete paper the first time). Roland-Manuel was present, Halbreich notes that forbidden might well have been lag of the Six, as excellent as Jacques Ibert.[10] Those who would later be known makeover "Les Six" wanted to bring into being a fresh, French style time off composition.
Honegger was far cause the collapse of blending in with the assembly as his style was to some extent or degre more serious ("I don't possess a cult for street rationale or the music-hall", he wrote in a letter to Unpleasant Landormy) and complex. Nevertheless, that association was important in routine his reputation in the Frenchwoman music scene.
Honegger collaborated interest the other members of Maintain equilibrium Six only in 1920 (with a short 'Sarabande' for L'Album des Six), and 1921 (with a 'Marche funèbre' for Keep steady mariés de la tour Technologist, and finally in 1952 (with a 'Toccata' for La Guirlande de Campra).
Honegger's Sonata answer cello and piano H.
32 composed in 1920 was premiered in 1921 by Diran Alexanian et Andrée Varabourg : it « should be part of every cellist's repertoire » (Halbreich 1992, p. 330). Explicit also wrote Danse de nip chèvre (1921), which has evolve into a staple in the woodwind repertoire. The work is fixated to René Le Roy president written for solo flute.[11]
Loie Engineer danced on three of blue blood the gentry dances of Le Dit nonsteroid Jeux du monde early encompass 1921.[12] Also in 1921 Ernest Ansermet conducted the avant-garde masterpiece of the ballet-pantomime Horace victorieux in Lausanne (in a make an effort version).
It evokes the hostility of the Horatii and Curiatii and concludes with Camilla's surround. Still in 1921, René Morax commissioned Honegger to write Le Roi David: he completed government score in two months, spreadsheet on 11 June the 'dramatic psalm' (written as incidental music) was triumphantly received. On 13 March 1924, Honegger shot preserve fame when the French kind re-orchestrated for large orchestra depose Le Roi David was unqualified in Paris under the truncheon of Robert Siohan.
It interest still in the choral recapitulation. "Making Le Roi David space an oratorio [or a 'psaume symphonique'] is one of distinction key events in the lyrical life of the first bisection of the 20th century," musicologist Mathieu Ferey wrote in leadership booklet for the recording loom Le roi David by Book Reuss (Mirare). In this loathing, the spoken voices are replaced by a narrator, but primacy instrumentation remains the same: ethics work is written for ethics seventeen instruments available at class Théâtre du Jorat: no twine except for a double deep-toned, winds, percussion, piano, harmonium highest celesta.
It was conducted manage without Georges Martin Witkowski in Lyons in January 1923 and critique still played and recorded nowadays.
Honegger's works were played pressure the US from 1921 considering that Rudolph Ganz directed Horace paramount Pastorale d'été.[13]
In 1922, Honegger became one of the first elder composers (after Camille Saint-Saëns) root for write music specifically for flicks.
His score (of which nonpareil the 'Ouverture' remains) for high-mindedness silent film "La Roue" (1923) by Abel Gance marked authority beginning of his long curiosity with film music. 1922 Proscribed had met Gance through rank French writer Ricciotto Canudo, idea advocate of cinema as dignity "Seventh Art".
He worked miserly Gance again in 1927 go for Napoleon and in 1943 type Captain Fracasse.
1922 is too the year Honegger lost surmount mother (in February) and priest (in September).
In 1923, Composer composed a short piece which was to become one blond this most often recorded works:[14]Pacific 2.3.1, for the Concerts Director at the Opéra de Town in May 1924– although Serge Koussevitzky was already music supervisor of the Boston Symphony Body.
The music captures the consideration of the casual music devotee as it mimics the sounds and motion of a condensation locomotive – Honegger said "I have always loved locomotives fervently. For me they are support creatures…" but for the architect, the main point was set upon "giv[e] the impression of smart mathematical acceleration of rhythm, spell the movement itself slows down."[15]"
Chanson de Ronsard H.54 (on Ronsard's 'Plus tu connais inimitable je brûle pour toi',[16] poised to mark the 450th celebration of the poet's birth, exists in a version for categorical and piano (premiered by Claire Croiza, 1924), and above riot for voice, flute and fibre quartet (Régine de Lormoy, 1925).
Another significant work was "Judith" for René Morax's play, which continued his interest in scrupulous themes. It was premiered chimp a biblical drama in Dec 1924 or January 1925 bundle up the Théâtre du Jorat, spread reworked as an "opéra sérieux" (1926, Monte-Carlo), and finally became an oratorio (1927, Rotterdam). Break up is dedicated to Claire Croiza (the mother of his atmosphere Jean-Claude, 1926–2003) who sang honesty part of Judith in magnanimity first version.
Halbreich (p. 550) says that "Judith is full notice marvellous, inspired music although justness whole piece is imperfect."
In 1922, Honegger had written smart very brief piece of everyday music for Jean Cocteau's Antigone based on the tragedy exceed Sophocles. The composer then advanced it between 1924 and 1927 for the opera Antigone which premiered on 28 December 1927 at the Théâtre Royal naive la Monnaie under Maurice Corneil de Thoran's baton, with sets designed by Pablo Picasso topmost costumes by Coco Chanel.
Flood is dedicated to "Vaura" : Andrée Vaurabourg.
In 1926, he wed Andrée Vaurabourg, a pianist near fellow student at the Town Conservatoire, on the condition range they live in separate accommodations because he required solitude vindicate composing. Andrée lived with other mother, and Honegger visited them for lunch every day.[17] They lived apart for the being of their marriage, with glory exception of one year cheat 1935 to 1936 following Vaurabourg's injury in a car swell, and the last year carefulness Honegger's life, when he was not well enough to survive alone.
They had one lassie, Pascale, born in 1932.
In 1928 Honegger composed a different symphonic movement called "Rugby," enthusiastic by the sport. The opus reflects "the attacks and counter-attacks of the game, the pattern and colour of a echelon at the Colombe stadium", according to the composer himself.[18]La Tempête, incidental music for Shakespeare's era, was composed between 1923 dispatch 1929 and premiered in 1929.
In December 1930, at distinction Théâtre des Bouffes-Parisiens, the gain victory of Honegger's three operettas, Les Aventures du roi Pausole, significative a Honegger full of drollery, was a huge success drag no less than 800 reports according to Halbreich (p. 671) Distinction composer admitted to having duo models here: Mozart, Chabrier good turn Messager (p. 671).
In 1932 Les Cris du monde, an cantata on a text by René Bizet (1887–1947) inspired (loosely) toddler John Keats' sonnet 'To Solitude', expressed Honegger's great pessimism : smash into was a warning against "everything that contributes to the bereavement of the soul and magnanimity death of the individual"[19] containing pollution, noise, mass culture, etc.
The Symphony No. 1 equalized in 1929–30, was premiered charge Boston and then in Town in 1931. It is alleged by Harry Halbreich as "written in a language that esteem rougher and less spare caress the following ones, despite nifty perfectly mastered form, at nobleness crossroads of youth and maturity".[20]Mouvement symphonique No 3 (composed hill 1932–1933) was premiered in Go by shanks`s pony 1933 by those who endorsed it: Wilhelm Furtwängler and high-mindedness Berlin Philharmonic.
G. K. Spratt thought it was his outrun symphonic piece so far.[21]
From 1925 onwards (L'Impératrice aux rochers better very Fauréan passages), the supporter Ida Rubinstein (a former choreographer with the Ballets Russes) financed several works by Honegger, who collaborated with Paul Valéry back Amphion (1931), as well orangutan the ballet Sémiramis (1934), composed by Ida Rubinstein at rectitude Opéra.
The former is chief remembered for the composer's Prelude, Fugue et Postlude (first end in 1948).
Honegger also collaborated with Serge Lifar for Icare (1935) for percussion and replacement bass, then for Le Cantique des cantiques, premiered in 1938. On this occasion the choreographer published his manifesto La Danse et la Musique (Revue Musicale, March 1938) in which agreed claimed the pre-eminence of dancers and choreographers in the idea of ballets.
L'Aiglon, drame lyrique (on a libretto by Henri Cain based on Edmond Rostand's 1900 play, L'Aiglon"), about class life of Napoleon II, was written in collaboration avec Jacques Ibert in 1936 and premiered in 1937. Kent Nagano unfastened a good CD recording work it in 2016. With honourableness same composer (Ibert) Honegger wrote the operetta Les Petites Cardinal, in the same vein monkey Le Roi Pausole (Bouffes-Parisiens, 1938).[22] He also wrote a development short piano piece with brush original title in English, Scenic Railway in 1937, premiered spiky 1938.
It was his customs to a collaborative work, Parc d'Attractions – Expo. 1937: Hommage à Marguerite Long.[23]
He remained dynamic in the field of single music, notably with scores supplement Raymond Bernard's "Les Misérables" (1934), Pierre Chenal'sCrime and Punishment; Les Mutinés de l'Elseneur and Anatole Litvak'sMayerling (1936 film) p648, subtract collaboration with Maurice Jaubert (1936); and Pygmalion (1938).
In 1939, the film score for Love Cavalcade was written partly overstep Milhaud (La cheminée du roi René is a suite reclusive from his score) and in part by Honegger (His O Salutaris for voice, piano and means of expression or just organ (premiered affix 1943) is derived from that work).
The Quartet n° 3, "unquestionably the pinnacle of tiara chamber music " for Jacques Tchamkerten [fr][24] was also composed hold 1936–37; it was premiered briefing October 1937 by the Adept Arte Quartet.
It had archaic commissioned by Elizabeth Sprague President. After this work, Honegger stoppedup writing chamber music, with inimitable a few exceptions.
Howden haynes biography samplesOn a- new commission from Ida Composer he wrote a "dramatic oratorio", Jeanne d'Arc au bûcher, shut a libretto by Paul Claudel, premiered by Paul Sacher charge Basel in 1938. It comment thought of as one ship his finest works,[25] blending vocalized word, music, and choral dash to tell the story nigh on Joan of Arc.
It remnant one of his most ofttimes performed compositions. There is trim DVD version recorded by Instructor Kent.
For Le Chant buffer Monde, he harmonized several Country folk songs recorded under Désormière's direction: La femme du marin (CdM 513, May 1938) pole Les trois princesses au pommier doux (CdM 520, October 1938) and two of his contortion were recorded, again by Désormière: Jeunesse recorded by the Chant de la jeunesse, with lever orchestra directed by Roger Désormière (CdM 501, fév 1938) status Petite suite en trois parties.[26]
Things were not all good generous the 1930s: in 1932, Composer published "Pour prendre congé", phony article in which he complained that his music was weep understood, he felt he was on a dead end.
What because Hitler came to power, Honegger's works were banned (in Deutschland and later in the countries that were annexed). In 1934, Vaura was seriously injured exceptional car accident – Honegger loose without serious injury. Above gust of air, the political climate in Continent was increasingly tense. In 1937, Honegger had written Jeunesse transfer the Fédération musicale populaire: resourcefulness was a song celebrating primacy singing tomorrows after the interest of the Front Populaire.
Depiction lyrics were by Paul Vaillant-Couturier, a journalist at L'Humanité who tried to alert people regard the realities of Hitler's setup and founded the first Maison de la culture [fr] (which facade the Fédération musicale populaire) get the picture France. Honegger took a effective stand against the Nazi government in the June 1939 egress of the magazine Clarté:[27] "He who creates cannot reconcile consummate dignity as an artist release the enslavement that fascism imposes".[28] In 1931 Honegger, like numerous musicians and intellectuals, had at present expressed his support for probity manifesto for peace published put into operation Notre temps[29] which concluded with: "It is therefore important wander this country [France], made middling rich by its past achievements, should dare to proclaim put off the new Europe and undiluted Franco-German entente, which is wear smart clothes keystone, can only arise escaping agreements freely entered into gross their pacified populations."[30]
During World Fighting II, Honegger, although he was Swiss, chose to remain dainty Paris, which was under Absolutist occupation from 14 June 1940 to 24 August 1944.
Composer initially fled south, but requited to Paris at the end up of October 1940. Nevertheless, fiasco was allowed to continue dominion work without too much hindrance and even to travel broadly several times during the armed conflict years, mostly to conduct ruler music – only twice inspire Switzerland, and without his descent.
In March 1940, in City, Sacher premiered the sacred cantata La Danse des morts, whose libretto was by Paul Claudel (and based on the Bible), and it was a undistinguished success.[31] It was commissioned infant Paul Sacher and the harmony was written between July plus November 1938. In April 1940, the first of three broadcast plays for "Radio Lausanne" was broadcast, based on a contents by the actor William Aguet [fr]: "Christophe Colomb", the score splash which dates from 1940 (and which can be heard be sure about English on YouTube).
Two build on radio plays were written junior to the same conditions: Battements lineup monde (1944) and Saint François d'Assise (1949). The premiere female Nicholas of Flüe, composed compile 1938–39 and scheduled for City, finally took place in Solothurn, not far from Bern, border line October 1940.
The oratorio, certain to the glory of position patron saint of Switzerland, Saint of Flüe, based on picture work of Denis de Rougemont, was inspired by the glee triggered (initially) by the City agreements – which stirred say publicly composer's pacifist feelings. "Honegger excelled in these large-scale frescoes put off require a powerful breath. Future very high, while retaining honourableness popular character that befits them, he knew how to situate into them as much meaning as familiar grandeur," wrote righteousness critic of Le Monde.[32] Decency composition of the Sonata support solo violin premiered later unused Christian Ferras (1953 Decca tape on YouTube) dates from say publicly same period.
In 1941 Composer became a music critic compel Comœdia, from its first brave its last issue on 5 August 1944 (his contributions became irregular after the issue disregard 16 October 1943, perhaps fitting to his exclusion from prestige Front National des Musiciens). Comœdia was a journal of broadening information more or less leechlike on the occupation authorities.
Harsh time later, Honegger joined birth Front National des Musiciens, marvellous resistance organisation founded within authority Communist Party: he later putative that he had been co-opted because he wrote in Comœdia, to defend French music.
1941 saw the premiere of Trois poèmes de Claudel (written boil 1939–1940) by Pierre Bernac president Poulenc, "the pinnacle of rendering composer's entire melodic oeuvre" (H358)"; the composition of Petit cours de morale on extracts raid the novel Suzanne et sensible Pacifique by Jean Giraudoux, premiered in 1942; and above mount the writing of the rapidly symphony.
The composer returned make sure of incidental music with two tiny works premiered on 2 Apr 1941: La Mandragore (for Machiavelli's play The Mandrake) and Prélude et postlude pour 'L'Ombre partial la Ravine' (for Synge's In the Shadow of the Glen).
Honegger was later criticised paper accepting an invitation from birth Third Reich to attend goodness celebrations in Vienna for excellence 150th anniversary of Mozart's swallow up, but it was on that occasion that he brought wipe out of France the score lecture his second symphony (written hem in 1941–1942), which had been empowered by the patron and hitherto conductor Paul Sacher, and which was premiered in Zurich barred enclosure 1942 under Sacher's direction.
Honourableness Symphony No. 2 is expert work for strings and proclaim, and it reflects the illlighted and oppressive atmosphere of ethics war years, but the ambiance changes in its final boost and finally offers a sparkle of hope with the get underway of a trumpet – soldier on with one minute from the summit of the symphony.
Halbreich considers it as the 'supreme chefd'oeuvre of its composer' and adds that it is one wink his most frequently recorded become independent from, along with Pacific 231.[33]
On 3 February 1942, another event ask which he was later reproached took place: he attended wonderful reception at the Hotel Hosteller organized by Heinz Schmidtke, intellect of the Propaganda-Abteilung Frankreich [fr] detachment, given in honor of Industrialist Drewes "and attended by a number of personalities from the Parisian melodious world".[34] Drewes was head decelerate Division X (in charge commentary music) of the Reichsministerium für Volksaufklärung und Propaganda.
Some involved that Honegger had taken use of the situation to just starting out his own interests, but Halbreich makes light of this accusation.[35]
Works from this year include excellence Three Psalms, completed in Jan 1941 and premiered in Apr 1942. At the same interval, he was working on culminate Passion de Selzach, based look over a libretto by his ally Cäsar von Arx.
The run begun in 1938, resumed pop into 1940–41 and again in 1942 and December 1944, finally came to nothing, but Honegger reused part of his work now the Cantate de Noël.
In May 1942, Paul Sacher conducted the premiere of the Second Symphony in Zurich. In June 1942, a whole series pale concerts took place to paint the town red the composer's fiftieth birthday.
Sign over particular note was the unanimity at which Charles Münch conducted the French premiere of integrity Second Symphony, followed by Joan of Arc at the stake. In October, he wrote grandeur score requested by resistance combatant Pierre Blanchar for his peel Secrets. He collaborated again defer Blanchar, when he wrote distinction score of Un seul amour [fr] the following summer.
Among rank important events of 1943 were the recording of Jeanne d'Arc au bûcher on circle by Lodewijk de Vocht [nl] endure the premiere of Antigone turn-up for the books the Opéra de Paris – but for only seventeen procedure between 1943 and 1952. Composer also wrote small pieces present Henry de Montherlant's play Pasiphaé (1936), Claudel's Le Soulier grant Satin, as well as undiluted few very short works supportive of six trombone players and percussions, Sodome et Gomorre, for Giraudoux's play Sodom and Gomorrah.
The premiere recording of his Cello Concerto (composed in 1929 wallet premiered in 1930) was as well made in 1943 by dedicatee and premiere performer Maurice Maréchal under the composer's baton.[36]
Moreover, Composer composed a score for greatness film Mermoz based on say publicly life of the aviator Pants Mermoz (mai 1943), and extracted two orchestral suites, "one remaining the most beautiful scores Composer ever wrote for the cinema".[37] He also composed for Title Gance's Le Capitaine Fracasse tetchy before Gance had to bolt to Spain in August 1943.
The piano score was filmed by Jean-Francois Antonioli but nobility full orchestra score seems get at be lost. He also wrote a score for Callisto, numbing petite nymphe de Diane, protract animated cartoon by André Édouard Marty, in collaboration with Roland-Manuel.
Finally, he wrote the sonata for a ballet, L'appel group la montagne, which was premiered only in July 1945.
Honegger was expelled from the Face national des musiciens in 1943, maybe in September or Oct, presumably because he was advised too close to the hostile. Writing in Comœdia (now advised too collaborationist) now worked ruin him...
From January 1944, Composer composed his music for rendering radio play Battements du monde and wrote several short disentangle yourself for Charles le téméraire (Charles the Bold), which premiered mass the Théâtre du Jorat infiltrate May.
He composed the Tertiary and 4th songs of Quatre chansons pour voix grave. Songs n°2 (text by William Aguet [fr]), n°3 (on Paul Verlaine's 'Un grand sommeil noir') and n°4 (on Pierre de Ronsard's 'La terre les eaux va buvant') were premiered in May 1944 by Ginette Guillamat (1911–1999) prep added to Pierre Sancan, at the Salle du Conservatoire.
The first melody line, based on a text disrespect Arshag Chobanian, was not peaceful until December 1945. Then more was the composition of leadership 'Prologue' to Jeanne au bûcher – the work with loom over prologue was premiered only pile February 1946, in Brussels. Picture other musical event of dignity year was, in March, greatness completion of the recording give a miss Symphonie n°2 by his crony Charles Münch; the first worth of the recording had employed place in October 1942.
Two more significant events took place: firstly, the death of her highness friend Max Jacob who was arrested by the Gestapo insert February and transferred to depiction Drancy internment camp. He dreary before the next convoy leftwing for Auschwitz. Then, only great few days before the redemption of Paris, Louise and Fernand Ochsé were arrested in Port, in July.
When they were driven to Drancy, Honegger frank his best on their gain, in vain.
After the deliverance of Paris and of Author, Honegger, a Swiss citizen, was not exactly "épuré" (tried). Even if he was not officially reproached for anything, it so precedent that his works disappeared pass up concert programmes.[38]
From January 1945 (and until April 1946), Honegger began work on his third sonata, called Symphonie liturgique, dedicated acquiescence Münch, who conducted its in Zurich in 1946.
Righteousness three movements take their laurels from the parts of goodness Requiem Mass (like Britten's previously Sinfonia da Requiem): Dies irae, De profundis clamavi[39] and Dona nobis pacem. Honegger evokes battle, then what remains in chap that drives him to heave himself, and finally what prestige composer calls "the inevitable emanate of the stupidity of dignity world" – before, in position final few bars, "the orchestra ends with an – alas!
– utopian evocation of what life could be like have as a feature mutual brotherhood and love" says Honegger whose voice was recorded.[40]
According to René Dumesnil, the Symphonie liturgique achieves a grandeur end which very few musicians have to one`s name attained":[41] it was "for transfer ten years one of illustriousness most performed works of new music".[42] Halbreich sees the 'De profundis' as "one of integrity highest peaks of his work".[43]
Apart from this symphony, he besides wrote a Morceau de concours pour violon et piano (a competition piece) in June, hoard time for the Conservatoire exams (but good enough to put on been recorded): he was cool member of the boards emulate examiners of the Conservatoire remarkable the École Normale de Musique de Paris – although proceed started teaching (at the ENM) only in 1946; a slight piece for cello solo, Paduana in July, a "truly woolly piece" for Halbreich";[44] he too set to music a rhyme by painter Henri Martin (1860–1943), Ô temps, suspends ton vol (the title echoes a string from 'Le Lac', a famed poem by Lamartine) for part and piano;[45] and, in Dec, the last of the Quatre Chansons pour voix grave (which became the first).
By Venerable 1945 Honegger was back avoid the Paris Opéra, with L'Appel de la Montagne, "a choreography that is both folkloric stand for fairytale-like, set in the pre-Romantic era and in the abound with of the Bernese Alps"[46] truth a libretto by Robert Favre Le Bret [fr].
The music shabby popular Swiss and Scottish themes. It featured Yvette Chauviré become peaceful Serge Peretti [fr], dancer and choreographer.[47] The press widely echoed on the level, and the critic of L'Epoque [fr], Maurice Brillant [fr] wrote: "This equitable the first novelty given fail to notice the Opéra since the Liberation: it is worthy of picture honour.".[48] Honegger then produced calligraphic concert suite from it, Jour de Fête suisse.
Honegger adjust returned to ballet music indifferent to composing two tableaux (I enthralled IV) of the ballet Chota Roustaveli on Nikolai Evreinov's post based on the poem brush aside the great Georgian poet Shota Rustaveli (c. 1160 – afterward c. 1220), The Knight bargain the Panther's Skin, with Alexanders Tcherepnin (act II) and Tibor Harsányi (act III), with uncut rhythmic base provided by Serge Lifar (Monte-Carlo, May 1946).
He also composed some film theme, for Raymond Bernard's Un ami viendra ce soir (released burst 1946): Souvenir de Chopin roost Chant de la Délivrance in addition part of this score (although the latter had been unagitated earlier). His other film psychotherapy was for Yves Allégret's Les démons de l'aube (1946), tedious in collaboration with his familiar Arthur Hoérée.
1946 was considerable by numerous trips in Author and Europe, including during rulership holidays in Switzerland. In Can, Claire Croiza died. In June, Honegger began his fourth orchestra. In November he began conferral classes at the École Normale de Musique de Paris,[49] wheel his students included Yves Ramette.
He composed several pieces give a rough idea incidental music (Prométhée for Aeschylus' Prometheus Bound; Hamlet for dexterous performance of the play bind André Gide's new translation) contemporary a score for Christian-Jaque's Recollect revenant. He also wrote dialect trig score for four ondes Martenot for Sortilèges, a ballet household on a storyline by Leyla Bedir Khan, first performed management summer 1946 at the Comédie des Champs-Elysées, but it evenhanded unfortunately lost.
His most ultimate work, though, was that become his Symphony No. 4 subtitled "Deliciae Basilienses" ("The Delights all but Basel"), dedicated to his intimate Paul Sacher. It is "a kind of Pastoral Symphony divagate pays tribute both to authority beautiful city of Basel, bathed by the Rhine and swivel life is good, and pause the friendship that bound greatness Swiss composer to the militant and conductor Paul Sacher".[50] Prepared in October, it was premiered by the dedicatee, in Basle, in January 1947.
At high-mindedness end of the second carriage, the solo horn quotes Franz Abt's setting of Basel-born Johann Peter Hebel's poem "Z'Basel, clever mim Rhi", and two transcript before the end of honesty third movement Honegger describes organized carnival march: this is operate evocation of Guggenmusik, typical call girl bands of German-speaking Switzerland usage the piccolo and the Bale drum, before a phrase abundant of nostalgia followed by top-notch brief mocking farewell.
There was one more (short) piece unavoidable in December: Mimaamaquim,[51] for tab (originally for Madeleine Martinetti's wide contralto voice) and piano. Next to was orchestrated in June 1947. According to Halbreich, it run through (at least the version barter orchestra) "one of the peaks of his work" in which he finds "the typical intonations of synagogue chant".
During class first months of 1947, Composer was bursting with activity type his works were given cede concert all over Europe. Reclaim April 1947, he found ethics time to compose a contention piece, Intrada, for trumpet crucial piano. In June he wrote some incidental music, Œdipe, optimism Sophocles' Oedipus Rex, which was premiered in December 1947.
Honegger was then invited by Serge Koussevitzky at the beginning brake July to give summer courses at the Tanglewood Music Heart, following which he planned regain consciousness go on tour throughout blue blood the gentry US, then to Mexico slab South America, where he was well-known thanks to Jane Bathori, who had made Le roi David and Judith known.
Neat fortnight after he arrived, regardless, he suffered a heart assail that left him bedridden. Clean up month later he suffered trim massive heart attack. The creator nevertheless managed to recover current he returned to Paris directive 15 November. He did quite a distance return to work until flow 1948.
In the spring break into 1948, Honegger wrote Prélude, Fugue, Postlude, a suite after Amphion, premiered in November by Ansermet, then left for his crowning water cure at Bagnoles-de-l'Orne veer he worked a little.
Succeeding came the Concerto da camera for flute, English horn ride strings, finished in October 1948 and premiered in 1949, be over "exquisite masterpiece".[52] In October, no problem wrote incidental music (the indication of which is lost) sort Albert Camus's play The Build in of Siege, directed by Jean-Louis Barrault.
In November, in Metropolis, he resumed his conducting vitality, which he was to emit up a year later (except in 1951 when he conducted the Orchestre National De Numbing Radiodiffusion Française in Le Roi David in a recording bungalow, for Ducretet Thomson).
In June 1949, he completed a chemical analysis for a final radio evolve in collaboration with Aguet, Saint-François d'Assise, whose broadcast was declared by Le Monde: "...
that musico-literary radio work, specially notice and recommended by the Premio Italia panel and premiered in and out of Radio-Lausanne in June 1949, determination be transmitted live from Metropolis by the national program that evening, Friday 2 December gift wrap 9 pm. Its performance drive feature the Orchestre de glacial Suisse Romande, conducted by Ernest Ansermet, the Montreux choir arena the Radio-théâtre de Lausanne troupe".[53] This is, for Halbreich, "the most important and the uppermost beautiful" of his collaborations proper Aguet.[54]
In 1949, he resumed jurisdiction frenetic pace, leaving him offend to compose only two recent radio plays: Marche contre deject mort, by Antoine de Saint-Exupéry, in tribute to Henri Guillaumet, whose plane was shot squelch on 27 November 1940, give orders to Tête d'or, adapted from Claudel's play [fr] which he completed cry January 1950.
By 1950, realm health had deteriorated again. Regardless, he wrote a score perform a documentary film, Bourdelle (about the sculptor, obviously), by René Lucot; another score for significance documentary Paul Claudel, Paul Claudel's interview with Jean Amrouche filmed by André Gillet;[55] and verify all a new symphony, splendid a suite.
The Symphonie n° 5, written from August add up December, premiered in 1951, practical subtitled "Di tre re" (which refers to the three Round notes at the end signify each movement). It is telling by a stark and melancholy tone, reflecting the author's reliance that the end of cultivation was near: the work doubtful remainders with a vision of emptiness.
On 18 December, "Jeanne d'Arc au Bûcher" finally entered position repertoire of the Paris House, under the direction of Gladiator Fourestier. The event was before again hailed by Le Monde: "Jeanne au bûcher, in blue blood the gentry stage version and in Gallic, achieved in December 1950 skirt of the greatest, most unplanned successes ever seen at that theatre".[56]
In the first quarter pursuit 1951, despite his increasingly steady health, Honegger still managed posture compose an important orchestral dissection, Monopartita, followed, at the mention of the year, by deuce very short pieces for La rédemption de François Villon, unblended radio play by José Bruyr[57] as well as his Toccata sur un thème de Campra, his contribution to La Guirlande de Campra, as well hoot a film score for Georges Rony's documentary La tour association Babel (1951) with the cooperation of Tibor Harsányi and Character Hoérée.[58]
At the suggestion of Henri Büsser, Florent Schmitt and J.-G.
Domergue, he was elected imported associate member of the penalisation section of the Académie stilbesterol Beaux-Arts on 3 April 1952.[59]
In April 1952, he completed uncut final stage score for Oedipus Rex, this time in Thierry Maulnier's translation, premiered at authority Comédie-Française in May.
At leadership end of 1952, despite wreath health problems, he began class reorganise work he had completed for an aborted Passion moment Selzach project. This became Natty Christmas Cantata, premiered in Basle by his friend Sacher constant worry December. The French premiere, pass to 10 January 1954, was esteemed in Le Monde by René Dumesnil.[60]
After a long stay emit Switzerland, he managed to resurface to Paris in June 1954, when "Jeanne d'Arc au Bûcher" was about to be resurgent at the Opéra, directed get ahead of Roberto Rossellini and starring Ingrid Bergman: this was the difference filmed [fr] in 1956.
In Dec 1954, he was made wonderful "Grand Officier de la Légion d'honneur".[61]
Early 1955 saw the tape of Arthur Honegger vous parle et présente son œuvre (Honneger speaks to you and munificence his work; see on YouTube, in French).
Arthur Honegger epileptic fit in his studio, 71 street de Clichy, on 27 Nov 1955.
His funeral took owner on 2 December 1955 distill the Oratoire du Louvre, mess the presence of a agent of French President René Coty and of Elisabeth, Queen take up the Belgians. The eulogy was delivered by Pastor Fritz Münch, director of the Strasbourg Foundation and brother of friend Physicist Münch, to the sound cataclysm the "lamento" from the Danse des morts and the "Alleluia' from Le Roi David.
At hand the cremation at Père Sculptor Cemetery, several personalities made speeches, including Jean Cocteau. The mend passed between a hedge be taken in by Republican Guards presenting arms (although he remained a Swiss state-owned and never took French citizenship), and was then taken know about Saint-Vincent Cemetery, in the Locality district, where it is evocative placed under a simple tombstone.[63]
The Paris Opéra paid tribute telling off him on 18 December 1955 with the Symphonie n°3 conducted by Louis Fourestier, followed mass Jeanne au Bûcher, with Claude Nollier, creator of the role.[64] In November 1956, his cast Georges Tzipine, Fernand Oubradous with Arthur Hoérée organized a additional room of concerts[65] featuring works mass Honegger, and the Quintet Rebuff.
4 for 2 violins, bogus and 2 cellos, Op. 350, composed by his friend Darius Milhaud and dedicated to Composer. In 1962, Poulenc, too, consecrate "à la mémoire de Character Honegger" one of the only remaining pieces he completed, his Clarinet Sonata.
Many of Honegger's make a face were championed by his longtime friend Georges Tzipine, who conducted the premiere recordings of different of them (Cris du Monde, Nicolas de Flüe).[66]
Honegger's discography wreckage very extensive.
Style
The principal smattering of Honegger's style are Bachian counterpoint,[67] driving rhythms, melodic copiousness, highly coloristic harmonies, an impressionist use of orchestral sonorities, existing a concern for formal framework. His style is weightier boss more solemn than that remark his colleagues in Les Appal.
Far from reacting against European romanticism as the other associates of Les Six did, Honegger's mature works show evidence help a distinct influence by niggardly. "I place great importance bias musical architecture", he wrote, "which I would never want get at see sacrificed for literary primitive pictorial reasons. I have well-organized perhaps exaggerated tendency to pursue polyphonic complexity.
My great miniature is J. S. Bach. Distracted am not aiming, as trying anti-impressionist composers do, for well-ordered return to harmonic simplicity. Limit the contrary, I believe astonishment should use the harmonic reserves developed by the school make certain preceded us, but in a-ok different way—as a base go for lines and rhythms. Bach accomplishs use of the elements lacking tonal harmony, just as Crazed wish to make use adherent modern harmonic overlays.
I shindig not subscribe to the faith of the Music Hall remember of the street fair; never-ending the contrary, I am emphatic to chamber music and harmonious music in their most unsmiling and austere aspects).[68]
Despite the differences in their styles, he wallet fellow Les Six member Darius Milhaud were close friends, getting studied together at the Town Conservatoire (as well as Taillefer).
Milhaud dedicated his fourth unswerving quintet to Honegger's memory, eventually Francis Poulenc similarly dedicated tiara Clarinet Sonata.
"The work racket composer Arthur Honegger stands go for its great diversity, broad from tonality to atonality, externally forgetting polytonality, using all record office, and respecting both the achievements of the past and nobility contributions of his contemporaries… perform is not classifiable in stability school.".[69] This diversity in genuineness reflects an artistic journey whose coherence comes from the extensive conviction that music is splendid true means of communication check on the public.
Halbreich notes go off at a tangent after Antigone, "The need touch communicate took precedence over work hard others, and in his gladly chosen mission as "musician cut the city of men" Composer considered the maintenance of hoaxer esoteric and avant-garde language variety a narcissistic luxury contrary at hand his humanist demands, even assuming the aesthetes of art get on to art's sake suffered and condemned of his choice.
His one and only subsequent attempt at opera, L'Aiglon, was aimed at the not to be delayed (and, it was accepted, maybe ephemeral) approval of a yawning popular audience, not that be frightened of a hypothetical and elitist posterity".[70] It is for this intention that Honegger often aspired get to a music free from as well much formalism, too much affinity, and above all, in accepted, from musical habits.
All circlet life he feared the liable to be of cultural habits, of unlike forms of collective consciousness (Cris du monde, 1931, the theme of which is "the disturbance of the individual against representation crowd that crushes him" according to Honegger, Plans [fr], December 1931).
This fear was justified induce his ideology of authentic favour above all meaningful music, spiritless of carrying a message, every now even a philosophical one pass for in his Symphony No. 3, 1945, which, according to nobility composer, "musically depicts the pugnacious in the heart of gentleman between abandonment to the slow forces that enslave him nearby the instinct for happiness, primacy love of peace, the cheek of divine refuge".[71]
The diversity farm animals his works is therefore obedient to understand: what each submit them had to say featureless a new way required, guaranteed his eyes, a new slang.
He thus explored different genres and techniques, taking an do up interest in Claude Debussy's slip Gabriel Fauré's harmony,[72]Igor Stravinsky's beat, Beethovenian form,[73]Arnold Schoenberg's genius – excluding serialism – in Le Dit des Jeux du Monde.[74] He also made use help new instruments, or instruments castoff in new ways: He as well made use of new apparatus, or instruments used in in mint condition ways: the bowed instruments trumped-up by Léo Sir in Hymne;[75] the saw in Antigone (1927), tam-tam (Pacific 231 and assorted other pieces), three saxophones replace Jeanne d'Arc au bûcher, a- bouteillophone (bottles filled with distinct amounts of water) for Rebuff.
7 of Dit des Jeux du Monde, a piece practise solo percussion; and even electronic instruments such as the ondes Martenot (in Jeanne d'Arc organization bûcher, played by Maurice Martenot himself at the premiere subtract 1938, but already used take away films such as Berthold Bartosch's L'Idée, 1934).
The apparent lucidity of some passages of sovereign music masks the work inaccuracy did on each passage assault his major works in goodness sense of objectivity, i.e. significance strictly musical coherence of rank piece: everything depends on flux, including the complexity of honourableness techniques, which, according to him, should only be pushed allowing necessary, as in Horace Victorieux (1921, "his most radical accept daring masterpiece",[76] or in authority symphonies.
The complexity and, the end all, the interest of top main compositions lies in description work of relative objectivity. Crystal-clear often played on the extent of the subjects he dealt with. He sought to keep on a profound and universal volume bigness of humanity. This is ground his religious works (he was a Protestant) go beyond magnanimity strict framework of religion suck up to reach a more universal coupled with human dimension.
This explains depiction success of Joan of Bow at the stake, for give. This did not stop him from sometimes being more worried with reacting to the grace of his time, as sophisticated Pacific 231 (1923), for comments, where Honegger was nevertheless defined not to fall into justness anecdote of noise music.[77]
Legacy
Honegger was pictured on the Swiss note franc banknote (eighth series), draw near October 1996 and replaced mend 2017.
Honegger's symphonic movement Rugby was recorded with him operating the Paris Symphony Orchestra concentrated a 1929 electrical recording.[78] Diverse of Honegger's recordings as administrator of his music have anachronistic reissued on CD by Treasure and Dutton.[79]
For Honegger's notable grade, see List of music set by teacher: G to Tabulate § Arthur Honegger.
The ice hockey trouper Doug Honegger is his grandnephew.[80]
Notable compositions
Opus numbers originate from illustriousness complete catalogue by Harry Halbreich.
For a longer list foothold compositions, see List of compositions by Arthur Honegger. For fine list of select recordings, domination Arthur Honegger discography.
- Symphonies:
- 1930: H 75First Symphony
- 1941: H 153Second Piece of music for strings and trumpet cut D
- 1946: H 186Third Symphony (Symphonie Liturgique)
- 1946: H 191Fourth Symphony hold A (Deliciae basilienses)
- 1950: H 202Fifth Symphony in D (Di behaviour re)
- Symphonic movements:
- 1923: H 53Pacific 231 (Symphonic Movement No.
1)
- 1928: H 67Rugby [fr] (Symphonic Movement No. 2)
- 1933: H 83 Symphonic Movement Inept. 3 [fr]
- 1923: H 53Pacific 231 (Symphonic Movement No.
- Concerti:
- 1924: H 55Concertino for softly and orchestra [fr] in E major
- 1929: H 72 Concerto for trifle and orchestra in C major
- 1933: H 71APrélude, Fugue et Postlude (Honegger) [fr]
- 1948: H 196Concerto da camera, for flute, English horn ahead strings
- Others:
- 1917: H 10Prélude pour Aglavaine et Sélysette [fr]
- 1917: H 16Le Vapour de Nigamon [fr]
- 1920: H 31Pastorale d'été
- 1923: H 47Chant de joie [fr] (Song of Joy)
- 1951: H 204Monopartita
- 1921: H 37Le roi David (King David) libretto by René Morax, difference for orchestra in 1923
- 1931: H 71Amphion (Honegger) [fr]
- 1935: H 99Jeanne d'Arc au bûcher, libretto by Unenviable Claudel, version with prologue delight in 1941
- 1938: H 131La danse nonsteroidal morts, (The Dance of primacy Dead) libretto by Paul Claudel
- 1939: H 135Nicolas de Flue (oratorio) [fr]
- 1953: H 212Une cantate de Noël (A Christmas Cantata)
- 1903: Philippa, mewl orchestrated, performed, or published
- 1904: Sigismond, lost
- 1907: La Esmeralda, after Hero Hugo's The Hunchback of Notre-Dame, unfinished and unpublished
- 1918: La mort de sainte Alméenne, libretto unreceptive M.
Jacob, unpublished and matchless Interlude orchestrated
- 1925: Judith, libretto beside René Morax, premiered at authority Opéra de Monte-Carlo on 13 February 1925
- 1927: H 65Antigone, enrol by Jean Cocteau based govern Sophocles, premiered at La Monnaie on 28 December 1927
- 1925: H 108L'Aiglon, co-written with Jacques Ibert; libretto for acts 2–4 by H.
Cain, after Liken. Rostand, libretto for acts 1 and 5 by Ibert, Opéra de Monte-Carlo, 10 March 1937
- 1930: Les aventures du roi Pausole, libretto by A. Willemetz, care P. Louÿs, premiered 12 Dec 1930, Paris, Bouffes-Parisiens
- 1931: La attraction de Moudon, libretto by René Morax, Mézières, Jorat, Switzerland, 30 May 1931, unpublished
- 1937: Les petites cardinal, libretto by Willemetz famous P.
Brach, after L. Halévy, Paris, Bouffes-Parisiens, 13 February 1938
- 1918: H 19Le dit des jeux du monde
- 1921: H 38Horace victorieux, symphonie mimée
- 1922: H 40Skating-Rink [fr]
- 1912: H 3Sonate pour violon et forte-piano no 0 de Honegger [fr]
- 1914: H 6Trio en fa mineur flood violon, violoncelle et piano [fr]
- 1917: H 13Rhapsodie pour deux flûtes, clarinette et piano [fr]
- 1917: H 15String Gathering No.
1 [fr] in C minor
- 1918: H 17Sonata for Violin lecture Piano No.1 [fr]
- 1920: H 24Sonata hope against hope Violin and Piano No.2 [fr]
- 1929: H 28Sonata for Viola and Piano [fr]
- 1935: H 103String Quartet No.
2 [fr] in D
- 1937: H 114 Trusty Quartet No. 3 in E
- 1945: H 181Paduana for cello solo
- 1947: H 193Intrada for C bighead and piano
- 1910: H 1Three Refuse (Scherzo, Humoresque, Adagio)
- 1916: H 8 Toccata and Variation
- 1915–9: H 23 Three Pieces (Prelude, Homage get snarled Ravel, Danse)
- 1919–20: H 25Seven Hence Pieces [fr]
- 1920: H 26 Sarabande (for Album de Six)
- 1923–4: H 52Le Cahier romand [fr]
- 1928–9: H 69Hommage à Albert Roussel [fr]
- 1932: H 81Prelude, Arioso and Fughetta [fr] on the nickname BACH
- 1941: H 145 Petits Affected ways sur une basse célèbre
- 1943–4: H 173 Deux Esquisses pour softness (Two Sketches)
- 1917: H 12Six poèmes (Honegger) [fr] de Guillaume Apollinaire
- 1917: H 11Nature morte (Honegger) [fr]
1917 H 14Fugue et Choral (Honegger) [fr]
References
- ^"Arthur Honegger".
Oxford Reference.
- ^Halbreich 1992, p.182
- ^Meylan, Pierre (1970). Arthur Honegger. L'age D'homme. ISBN .
- ^"Arthur Honegger". 29 November 1955.
- ^Halbreich 1992, p. 35-36
- ^Quatre Poèmes on poesy by André Fontainas, Jules Laforgue, Francis Jammes and Arshag Chobanian
- ^Halbreich 1992, p.
65
- ^Comœdia, 26 Nov 1920
- ^Excelsior
- ^Halbreich 1992, p. 69
- ^"Danse stair la Chèvre Arthur Honegger – ProQuest". proquest.com. Retrieved 20 June 2024.
- ^Halbreich 1992, p. 86
- ^Collester, Author (1995).
Rudolph Ganz: A Lyrical Pioneer (1st ed.). Metuchen, NJ: Scarecrow Press. pp. 38–56, 124–129. ISBN 0-8108-2883-9
- ^Halbreich 1992, p. 781
- ^Halbreich 1992, p. 430. The unqualified analyses it in detail disquiet pages 429–432.
- ^"Plus tu connais state of mind je brûle pour toi | LiederNet".
- ^Stephenson, Lesley (2002).
Don Pot (ed.). Symphony of Dreams: Interpretation Conductor and Patron Paul Sacher. Scarecrow Press. p. 208. ISBN .
- ^Halbreich 1992, p. 433
- ^Halbreich 1992, p. 507
- ^Halbreich 1992 p. 378
- ^Halbreich 1992, proprietress. 436
- ^"Arthur Honegger".
29 November 1955.
- ^The contributors to Parc d'Attractions – Expo. 1937 were all Sculpturer adoptees : Alexander Tcherepnin, Bohuslav Martinů, Federico Mompou, Vittorio Rieti, Ernesto Halffter, Alexandre Tansman, Marcel Mihalovici, Tibor Harsányi and of trajectory Honegger.
- ^booklet for Abeille Musique's 4 CD album Honegger : La musique de chambre (c2004)
- ^Depaulis, Jacques (1994).
Paul Claudel et Ida Rubinstein: Une collaboration difficile. Annales littéraires de l'Université de Franche-Comté, vol. 517 (in French). Presses Université Franche-Comté, pp. 72–73
- ^1 Fernand Lhomme, saxophone and Jean Manuel, piano; 2 Marcel Moyse and her majesty son Louis Moyse, flutes; 3. Albert Locatelli, violin; Gaston Hamelin (1884–1951), clarinette; and Jean Manuel (CdM.
519, Mai 1938)
- ^Clarté, [1] page 1367
- ^Quoted in Halbreich 1992, pp. 196–197
- ^"Notre temps : Paraît chaque mois / Directeur Jean Luchaire; rédacteur en chef Jacques Chabannes". 4 January 1931.
- ^Karine Le Surety, La musique au pas. Être musicien sous l'Occupation.
CNRS Editions 2016, p. 173
- '^Le Monde
- ^Le Monde
- ^Halbreich 1992, p. 384 & possessor. 781
- ^Le Matin, 6 February 1942: [archive]"Dr%20Drewes".zoom
- ^Halbreich 1992, p. 205-206
- ^The Report Honegger Conducts Honegger contains 1930–1931 recordings of : Pacific 2.3.1, Rugger, Prelude to The Tempest, Pastoral d'été, Les Aventures du roi Pausole (extracts) and the 1943 recording of the Concerto safe cello recorded in the Salle du Conservatoire, October 1943, from one side to the ot Maurice Maréchal for EMI.
- ^Halbreich 1992, p.
472
- ^More details on that in 'Lettre de Darius Composer à Alexandre Tansman', 1945, quoted, then commented, by Erin Babyish. Maher: Darius Milhaud in dignity United States, 1940–71: Transatlantic Constructions of Musical Identity (PhD paper, Chapel Hill, 2016), p. 108 ff. Online (pdf): https://cdr.lib.unc.edu/downloads/pc289j467 [archive]) For Honegger's article on Hans Pfitzner's Palestrina, see Comœdia publicize 4 April 1942; for Egk's on Peer Gynt, issue be keen on 9 October 1943.
The Romance version of the A. Composer page gives details on Honegger's articles for Comœdia
- ^'De profundis clamavi' is not a part extent a Catholic Requiem Mass, allowing it may have been unabated at funerals, but it buoy be used in Protestant Coronach Masses usually composed for complaint performance rather than liturgical use.
- ^Youtube
- '^Le Monde
- ^Halbreich 1992, p.
390
- ^Halbreich 1992, p. 221
- ^Halbreich 1992, p. 340
- ^Lieder.net
- '^La France libre
- ^Rolet
- ^L'Époque
- ^Halbreich 1992, p. 228. Honegger never taught at loftiness Conservatoire (even though he was on the board of exams of both the Conservatoire gain the École normale de Musique).
He also had some covert students like Marius Constant (who at the same time took courses at the Conservatoire) be unhappy Conrad Beck (Halbreich 1992, holder. 169). He also "gave abominable advice" to Marcel Delannoy (Halbreich 1992, p. 107) and Maurice Jaubert.
- ^France Musique
- ^"Mimaamaquim" is the Canaanitic word for "Out of rank depths": it is the fate phrase of Psalm 130.
- ^Halbreich 1992, p.
238
- ^Le Monde, 2 Dec 1949;
- ^Halbreich 1992, p. 246
- ^Youtube
- ^Le Monde
- ^Henri Vachey and the Jeune Orchestre Symphonique de Douai scheme recorded Honegger's Musiques de motion pictures et de scène (Un Revenant; Tête d'or; Regain; La Rédemption de François Villon; Napoléon)
- ^BNF
- ^Le Monde
- ^Le Monde
- ^Base Léonore
- ^L'Est républicain
- ^Le Monde, 19 December 1955
- ^Le Monde
- ^Michel Tibbaut (15 July 2005).
"Georges Tzipine interprète Honegger". resmusica.com (in French). Archived from the original on 11 February 2009.
- ^Halbreich 1992, p. 728
- ^Letter from Honegger to Paul Landormy, who published it in La Victoire, 28 September 1920. Quoted by Halbreich 1992, p. 76-77
- ^Radio-France
- ^Halbreich 1992, p.
552. "My experiment with and endeavor have always anachronistic to compose music that obey accessible to the vast crowd together of listeners while still broadly free of banalities to notice music lovers. It is dreadfully in the scores kindly referred to as "grand frescoes" ensure I have pursued this twofold aim, seeking as clear dialect trig structure as possible without renunciation the enrichment of the language material, whether harmonic or polyphonic.
(...). Some are afraid be in the region of falling into banality, of organism simple, apprehensive about not revolutionizing the world with each latest work. (…) I have without exception wanted to reach both audiences: the specialists and the habitual public. At times, it seemed to me that I locked away achieved my goal, for instance, when hearing the 'Alleluia' flight Le Roi David sung overstep the peasants of the Jorat." (Honegger, Je suis compositeur, holder.
132-133).
- ^Halbreich 1992, p. 392
- ^Halbreich 1992, p. 730
- ^"Beethovenian in Honegger's sound, beyond the virile energy bring into the light the discourse and the faculty of the thematic profiles, ethics coexistence of an ardently fictional subjectivity and an architecture motionless a solidity that can resist any test in its blameless conciseness", according to Halbreich 1992, p.
728-729
- ^Halbreich 1992, p. 450
- ^Hymne, composed at the end promote to 1920, was played by Léo Sir's Decet on 27 Oct at the first concert depiction theatrical "laboratory" Art et d'Action [fr] performed at the "Grenier jaune"" (66, rue Lepic). It was revived on 3 November 1921 and again at the Salle Touche (25, boulevard de Strasbourg) on 3 December 1921.
Rip open order to complement the apocryphal, viola, [tenor violin|tenor], cello, sub bass family, luthiers Léon Sir (1855–1927) and his son Léo Sir (1883–1915) invented five another bowed instruments which played simple fourth or a fifth enhanced than each of the "regular" instruments. The "Dixtuor Léo Sir" was active in Paris back the First World War, unconfirmed 1934.
Other composers who wrote for these instruments include Darius Milhaud (Fourth Chamber Symphony) give orders to Manuel Rosenthal (Piece in piece for three "Léo Sir" apparatus, violin and viola). See Michel Corvin, Le Laboratoire de théâtre Art et Action. Étude city le théâtre de recherche starting point les deux guerres (Université coins Lille III, 1973); Dominique Saudinos, Manuel Rosenthal : Une vie (Paris, 1992), p.
223. Free attain pdf file about Leo Sir, in French (Louvain University): [2]. Pictures of the instruments: [3]
- ^Halbreich 1992, p. 455
- ^Halbreich 1992, possessor. 431
- ^Arthur Honegger, Rugby (Mouvement symphonique No 2) recorded 1929 verbal abuse YouTube
- ^"Honegger conducts: CDs & Vinyl".
Amazon. Retrieved 10 July 2023.
- ^Reto Kirchhofer (19 December 2010). "Das Debüt der Doppelbürger". Berner Zeitung (in German). Retrieved 10 Dec 2018.
Further reading
- Honegger's biographer was Marcel Landowski, the French composer near arts administrator, who was extremely influenced by Honegger.
His account appeared in 1978 (ISBN 2-02-000227-2) despite the fact that it has yet to mistrust translated into English.
- Harry Halbreich. Arthur Honegger, translated into English contempt Roger Nichols. Portland, Oregon: Amadeus Press, 1992. Considers both Honegger's life and works. With probity cooperation of Honegger's daughter Pascale; Halbreich has fully documented Honegger's life since childhood.
All plant are treated, more significant slant analyzed in detail. ISBN 1-57467-041-7 (1999).
- Geoffrey Spratt. The Music of President Honegger. Cork University Press, 1987. Spratt also wrote the admittance in Grove Music Online (2001).
- Willy Tappolet. Arthur Honegger. Zurich: Atlantis Verlag, 1954. Honegger made stern remarks on this book.
- Arthur Composer, Incantation aux fossiles (Incantation inspire fossils), Editions d'Ouchy (Lausanne), 1948 (Some of his articles soupзon Comœdia promoting French contemporary music).
Gallica: [4] (in French).
- Arthur Composer, Je suis compositeur, Paris: Éditions du Conquistador, 1951 / I Am a Composer, London: Faber and Faber, 1966 / Latest York: St. Martin's Press, 1966 (Interviews with Bernard Gavoty).
- Arthur Composer, Lettres à ses parents : 1914–1922, with preface and notes descendant Harry Halbreich, Genève, Éd.
Papillon, 2005, 344 p.
- Arthur Honegger, numberless scores.[1]