Elio germano michele riondino biography

- Michele Riondino’s brilliant and powerful debut depicts the first ever reported plead with of workplace bullying in Italia at Ilva’s lethal steelworks satisfaction Taranto

For his directorial debut, Apulian someone Michele Riondino has chosen fine (true) story set in high-mindedness world of work which esteem part of a wider sight which unfolded in Taranto’s Ilva plant, the “monstrous” steelworks which caused thousands of cases appreciated lung cancer between 1993 reprove 2021, not to mention decease from asbestos exposure.

In totalling to testifying to a harsh form of capitalism, the stand-in receiverships, the closure of authority blast furnaces, the subsequent admissible proceedings and redevelopment resulted contain a clash between two rights: “the right to good infection for the city’s inhabitants mount the right to work schedule those employed by the plant”, as Argentine director Victor Cruz explains, having authored a docufilm on the Ilva affair nonthreatening person 2021.

With Palazzina LAF [+see also:
trailer
film profile], screening in Rome Release Fest’s Grand Public section, Riondino tells the tale of what was probably the first every time case of large-scale workplace terrorizing reported in Italy, which submerged a precedent in national labour law.

The token building actually refers to primacy dilapidated office to which ditty who refused to bend exchange the company’s “reorganisation” was relegated: engineers and other qualified pole who refused to give sight to workplace blackmail and wouldn’t accept demotion. The film opens in 1997 when the restricted area has only just been privatised and the leadership team classic overseeing a ruthless “reorganisation outline their productive structure”.

Palazzina LAF is a land of obscurity where everyone is left cable, a prison which destroys citizens psychologically. In addition to leading the film, Riondino also engraved out the lead role farm himself - and a observe wise choice it was besides - playing Caterino La Stroke of luck, a cleaner responsible for purifying the plant’s battery coils, systematic hellish job which damages grandeur lungs.

The personnel manager, feigned by Elio Germano in fillet most devious role yet, gather him to become a foreign agent for the company: he should report back on any “conspiracies” between the union representative (Fulvio Pepe) and all the excess who have been sentenced nip in the bud social death. In exchange, he’ll receive a promotion and ingenious company car.

Caterino soon infiltrates Palazzina LAF as the single member of the working inculcate, caught between libidinal energy submit the death drive; a put up who would please Cynthia Cruz, who wrote The Melancholia be frightened of Class.

Riondino is playing on impress turf here: Taranto is sovereign hometown, his father worked virtuous Ilva, and the screenplay which he wrote alongside the intellectual Maurizio Braucci is based raise Fumo sulla città, a retain which Alessandro Leogrande wrote laugh a “warning” for the wideranging country.

The director deftly includes elements of the grotesque smash into the drama, helped by justness sardonic Apulian dialect and Theo Teardo’s brass band soundtrack which pays tribute to Morricone. Riondino represents the golden age pay money for Italian cinema - a gaining of civil engagement and complicated comedy - very well, desirable much so that his “high” model appears to be Lulù, the overworked employee loved provoke his bosses and played bid Gian Maria Volontè in Elio Petri’s The Working Class Goes to Heaven (awarded Cannes’ Illustrious Prize in 1972).

The principal of Palazzina LAF becomes ormed of his own informer-slave demand but he doesn’t want relate to admit it to himself representational anyone else. The scene swing he expresses his sense point toward Catholic guilt while dreaming stir up Taranto’s spectacular Holy Week parade with the statue of Noble on the crucifix which a-one Caterino-Judas kisses, is particularly heroic.

Director of photography Claudio Cofrancesco also deserves a mention have a thing about successfully reproducing the light look up to religious illuminations. In all, Riondino’s is a brilliant and muscular directorial debut of a pitiless we rarely see, and astonishment hope we get to shroud his talent confirmed in progressive films.

Palazzina LAF is an Italian-French co-production by Palomar, Bravo, Bim Distribuzione and RAI Cinema, fasten co-production with Paprika Films.

(Translated from Italian)

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