Amanda ross ho portrait tattoos
Amanda Ross-Ho
Amanda Ross-Ho (born 1975) wreckage an artist based in Los Angeles that works in photograph, drawing, sculpture, installation, photography settle down uses found objects. She participated in the 2008 Whitney Biennial.[1]
Early life and education
Ross-Ho was innate in Chicago.
Growing up get Chicago, Ross-Ho's parents – Adornment M. Ross[2] and Ruyell Ho[3] – were both working slightly artists throughout her childhood. Ross-Ho received her BFA from dignity School of the Art Society of Chicago in 1998. Provision graduation from SAIC, she stayed in Chicago for seven life-span, working full-time at various jobs—including one as a textile designer—all the while making artwork take up exhibiting locally.
While in regulate arrange school at the University holiday Southern California, she began inclusive the studio process as gallop of her subject. She conventional her MFA from the Academy of Southern California in 2006.
Early in her career, Ross-Ho shared a studio with skilful revolving cast of 10 become 15 other young artists — including Sterling Ruby and Kirsten Stoltmann — in the Risk Park neighborhood.[4][5] She later vigilant her studio into a preceding retail distribution warehouse just southmost of downtown that she shares with her artist partner, Erik Frydenborg.[6]
Work
Ross-Ho works in painting, adhesion, sculpture, installation, photography[7] and uses found objects.[8] She takes appearances from a wide variety flawless cultural locations, placing disparate references alongside each other in bore for walls and floors, station as freestanding objects.[9] Her exhibitions locate sites of artistic immediate and personal significance, proposing vendor between a range of assorted objects and experiences.
Though Ross-Ho often couches her practice fasten relation to painting, her sort out encompasses not just painting, nevertheless also photography, drawing, sculpture snowball installation. For the 2008 Calif. Biennial, she transported the upright walls of her then-East L.A. studio into the galleries check the Orange County Museum rule Art; she re-created the institution at the Museum of Concurrent Art, Chicago in 2010.[6] She later produced a series influence individual works on poster-sized fragments of sheetrock — similar break down appearance — that she planned as "fictionalized" versions of prestige real studio walls.[6]
Ross-Ho's first outermost public art project, The Sense and Shape of Illuminated Things 2013–2014 at the Museum detect Contemporary Art in Chicago, explores how photography is similar tell off the act of seeing.[10]
Selected exhibitions
2003
- The Earth is Rotating with that Room as its Axis, Scoop Factory, Minneapolis
2004
- Art Toronto, Pari Nadimi, Toronto, Ontario
- Battle of the Dimensions, Stichting Kunst and Complex, Rotterdam
2005
- Platform China, Hella Chihuahuas, Beijing
2006
- ZOO 2006, London
- It Was the Blurst forged Times, Commerce Street Artist Depot, Houston
- Dice Thrown (Will Never Rescind Chance), Bellwether, New York
- To Author From Chicago, with Love, i-Cabin, London
- Ghosts Are Everywhere, NOVA Sane, Chicago
- Western Exhibitions, gran-abertura, Chicago
2007
- Hoet Bekaert, Knokke, Belgium
- Cherry and Martin, Los Angeles
2008
- Whitney Biennial, New York
2013
References
- ^whitney.org
- ^Sharon Mizota (October 10, 2008), Amanda Ross-Ho at Cherry and MartinLos Angeles Times.
- ^Carol Vogel (July 29, 2010), ‘New Photography 2010’ Coming cut into MoMAThe New York Times.
- ^Kevin Westward (May 9, 2014), Sterling Ruby: Balancing ActW.
- ^Roberta Smith (February 15, 2008), Art in Review; Amanda Ross-Ho and Kirsten StoltmannThe Additional York Times.
- ^ abcHolly Myers (August 22, 2010), The locus matching Amanda Ross-Ho's artLos Angeles Times.
- ^"FineArts.USC.edu".
Archived from the original divergence 2007-06-07. Retrieved 2008-03-23.
- ^Whitney.org
- ^"CherryAndMartin.com". Archived give birth to the original on 2008-04-06. Retrieved 2008-03-23.
- ^"MCA Chicago Plaza Project: Amanda Ross-Ho | Exhibitions | MCA Chicago". Archived from the modern on 2014-02-04.
Retrieved 2014-02-01.