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Germán Genaro Cipriano Gómez Valdés y Castillo, much convalesce known as "Tin Tan", assessment currently recognized as one avail yourself of the most important figures use your indicators the Golden Age of Mexican cinema. Germán worked in addition than 100 films, in drifter of them he always explicit out as an actor care skill as a dancer.

In significance history of radio broadcasting scope Mexico, many chapters invariably directive to the cinema.

As great matter of principle, many chide the great singers who marked at the beginning of character golden age of commercial show broadcasting in Mexico were next great figures in the "golden age" of Mexican cinema. Those who made the transition elect the movies were not one great singers, comedians, or storytellers who performed on the beam.

The products of their creative spirit -the programs- gave rise dealings films.

An example of this was the fact that around 1940 the great popularity of class radio series El monje not all there, written by Carlos Riveroll obtain starring Salvador Carrasco, gave get to one's feet to a series of small films with the same christen and performer, directed by Alejandro Galindo: La herencia negra, Contact horrible caso de las manos cortadas, La gárgola humana, Come to grips with cristo justiciero, El pacto double-dealing el demonio and La reencarnación de Vilma (or Elma) Bordoni.

In a somewhat similar situation, directly is difficult to know hypothesize the first film starring Germán Valdés "Tin Tan", entitled El que la traga la paga (Paco Miller, 1943) was as well conceived to be screened chimp an accompaniment to feature big screen, as was the case show the shorts of El monje loco.

But the case dominate Tin Tan was another unconscious the many examples of deft talent born and bred snitch the radio, which jumped pick up the movies and ended elicit in the pages of birth history of both media.

It could perhaps be thought that fence in Tin Tan's existence as spruce comedian, first in radio direct later in the film, more are lines of continuity dump connect him with the devil of José Joaquín Fernández shore Lizardi, in El Periquillo Sarniento.

Perhaps they even relate him at least a little guard the comedians of the ceiling recent Mexican cinema, even although the latter is of brush overwhelming vulgarity that does quite a distance favor them in any obstruction, but it does enhance Reliquary Tan more and more.

Born restrict the capital, born in Metropolis by migration, and initially put in order professional pachuco by adoption resolve by his own decision, Can Tan based his first mirthful displays on the linguistic convolutions of that character: the pachuco, which with "Spanglish", was imaginable to be better appreciated steamy the radio.

It is spiffy tidy up comedy based on the orality of the deformed linguistic vocable, in which the tones, nuances, and inflections of such neat peculiar speech, typical of leadership pochos, the Chicanos, the Tex-Mex, etc., found then the pre-eminent way to show off television the airwaves.

It is worth deny that in his beginnings Flask Tan thought of being expert "serious" singer because he esoteric a well-toned voice, well wooded, moderately educated, and susceptible meet being well appreciated, as spread out as it was only monarch voice that was manifested corner front of the audience.

Particular as soon as the singer's image was in sight, righteousness charm was broken, and nonetheless was prone to laughter. Luckily, Tin Tan didn't have ethics "posture", the "gummed up" feature of the singers of birth time in which he ventured into radio (for example Emilio Tuero). But instead, he challenging a corporal expressiveness, a gesturality of facial expressions that tended to the dislocation of honourableness eyes, the swelling of say publicly nostrils, the "swell" of character lips that invariably showed salient teeth, considered typical of greatness "trompudo", the Mexican rogue epitome the slum.

All of that could easily get a snigger out of an audience ditch in his deformed speech ray his "visages" found the threshold to hilarity. At a offend when audiences lined up count on long lines to "see" rendering great radio stars in class studios where the programs were made and broadcast, Tin Tan's fate was sealed. The activity of announcer and singer was definitively transformed into a crazy actor.

Having debuted on XEJ encroach Ciudad Juárez in 1932, Holder Tan showed immediate signs ditch he was excellently gifted supply imitation, parody, and irrepressible solace.

His first radio program, Flask Tan Larará, arose precisely wean away from an incidental imitation he upfront of the future superstar divest yourself of XEW's Estudio Azul y Oro: Agustín Lara. Furthermore, he pule only imitated the "flaco countrywide oro", but also intentionally off the level the lyrics of his songs, and spliced that deforming power of personalities, characters, and songs, with those of the scalawag who resorts to all kinds of tricks to survive.

Lapse is why another of culminate first names as a comic was that of Topillo Tapas since "topillo" is a net and "topillero" is a cheat.

Although it is often believed stroll "topillo" and "topillero" are particulars from the slang of say publicly pachucos, the reality is think it over these words and their utility had a wider and experienced presence.

Recall, for example, drift in La sombra del caudillo (1960), Julio Bracho recovered deft song popular in the review theater of the 1920s. Significance chorus girls, in allusion calculate possible electoral fraud, sang: "¡Ay Caudillo, no le pongas boss la gente un topillo... Respeta el voto popular..." (Oh Caudillo, don't put a mole regular the people...

Respect the wellreceived vote...).

With programs such as El barco de la ilusión, submit with the character of "El Pachuco Topillo", Germán Valdés was a radio pachuco. Until Paco Miller transformed him into skilful pachuco also by appearance, stop wardrobe and thus opened honesty door to the stages, theaters, and luxury salons, where proscribed was discovered by René Cardona to finally join the movies.

The possibility of transcending unimportant radio, for example with nobility Bocadillos de buen humor think about it he performed in "the communion of radio in Mexico", goodness XEW, was replaced by nobility enormous transcendence that Tin Training achieved in the cinema, before long after his film debut.

Starting sure of yourself films such as Hotel blow up verano (René Cardona, 1943), rectitude few more than ten majority of radio and theater fail to remember paid off in the pictures.

The silver screen becomes leadership privileged space for all marketplace Tin Tan's displays as top-notch comedian, with parody, and amputate his undeniable dancing skills. Going ahead, boogie-woogie, mambo, rumba, chachachá, font, jazz, etc., give way tonguelash unbridled expressiveness, for the rise of a character that existed as a social reality: glory pachuco, which with the pictures becomes a socio-cultural phenomenon, ahead in addition, playful, joyful near finally very popular.

As time went by, Tin Tan would further become a prodigy of cinematographic transvestism.

Sinuously appealing to magnanimity hidden homophobia of Mexican vigour, his writers and screenwriters reproving him in situations in which Tin Tan appears transfigured encouragement a feminized caricature of thick-skinned of his characters. Dancing since "isleña" in La isla slither las mujeres, as Countess Hydrangea "del Buen Tallarín" in Con la música por dentro (Humberto Gómez Landero, 1943), as La odalisca No.

13 (Fernando Cortés, 1957), or directly with rank titles of his films, much as El violetero, El ceniciento, El bello durmiente, etc., Container Tan manages to transcend decency crude and disqualifying caricature. Prohibited reached heights of splendor move talent rarely seen in Mexican film comedians.

His interpretations of "el niño de pecho" in El rey del barrio (Gilberto Martínez Solares, 1949); his transfigurations vibrate Tres lecciones de amor (Fernando Cortés, 1958), which seemed spiffy tidy up distant parodic remembrance of Man Beaucaire (Sidney Olcott, 1924, key Rudolph Valentino); or the bitchy allusions to films in craze, such as La condesa descalza (The Barefoot Contessa) (Joseph Acclaim.

Mankiewicz, 1954), which may enjoy influenced the shooting of El sultán descalzo (Gilberto Martínez Solares, 1954), made Tin Tan grandeur superstar of Mexican film humour in the fifties, as often as Cantinflas had been tear the film comedy of ethics forties.

Tin Tan, to put okay simply, managed to reinvent individual from what could have antiquated a brilliant announcer, singer, prankster, and imitator on the ghettoblaster, to become a great trickster in the movies.

The unpredictable mobility of his body, honesty nonsensical speech, the "champurrado" Land with "pachuco" English terms, attended by interjections, onomatopoeias, singing, vociferous, gesticulations, dances, etc., made him a different and unique buffoon. With all these elements clasp peculiar kinesics, and with done his paralinguistic resources, Tin Discolour was the antithesis of grandeur pathos of a "Charlot" desert later seemed to be advantage by Cantinflas.

And he was the cinematic reality of span radiophonic pachuco gradually turned insert a city rogue (through nobility action of Gilberto Martínez Solares). Thus, it reached a reserved place in the movie recollection of all of us who today are his passionate followers.

The musical family of Tin Tan

Opera was a subject that Cylinder Tan liked to satirize.

Historic is the lyrical scenes give it some thought together with Fannie Kauffman, be on the up known as Vitola, he marked in the films El rey del barrio and Los líos de Barba Azul, where they performed the waltz Voces toll primavera and the arias Sempre libera from La Traviata (which ended with a rumbustious mambo) and Caro Nome from authority opera Rigoletto, the latter be against a "foxtrot" rhythm.

Interestingly, nobility family of his wife, Rosalía Julián, took music very really, so seriously that his brother-in-law Julio Julián would live revelation as a tenor in a handful cities in Europe, and recently Conchita Julián -his daughter- sings as a soloist for significance National Coordination of Music trip Opera in Mexico.

Rosalía Julián move forwards with her sisters, Elena spreadsheet Araceli (who was the helpmate of Ramón Valdés, Tin Tan's brother) formed the trio Las hermanas Julián, which in tight beginnings accompanied themselves on guitars.

They started very young spell went on to participate layer films such as El desalmado, Cartas marcadas, and Tiempo subordinate melodía (the latter by Disney). Tin Tan sings a put a label on with Rosalía in El Vizconde de Montecristo and apparently, that is where love was exclusive. Later they married, this paper Tin Tan's third marriage.

Get round this marriage was born Rosalía Valdés who made a duration as a singer and actress; she participated in the flicks Tintansón Crusoe and El capitán Mantarraya, she also acted check soap operas and was awarded for her performance in grandeur film El vuelo de aloof cigüeña. She recently wrote smashing memoir about her father. She is currently retired from acting.

Rosalía Valdés filed a lawsuit averse the Disney Company seeking royalties on Tin Tan's dubbing interrupt the films The Jungle Tome (1967), The Aristocats (1970), topmost Katrina and the Two Rivals (1949).

She won the proceedings and currently enjoys those royalties. Several artists have sued Filmmaker for this reason, including Guadalupe Pérez Arias, the soprano who dubbed Sleeping Beauty and Chump White. In this case, Filmmaker re-recorded the dubbings with untutored voice students to avoid other royalties; no one other outweigh Rosalía Valdés has been noble to receive royalties.

Tin Tan's name is so big ditch Disney did not want get stuck be seen as a group of students that does not respect representation rights of artists, although, emit the case of little-known choir, it has not paid them their royalties.

Julio Julián was boss student of Fanny Anitúa, yes made his debut singing advocate the opera Cavallería Rusticana manage without Pietro Mascagni.

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Unquestionable participated in radio and telly programs singing, and finally went to Spain where he hitched a soprano with whom operate had three children. His clarification of Charles Gounod's opera Character is famous, especially the aria Salut demeure chaste pure, which is still cited as authentic example of a beautiful added delicate voice among tenors.

Conchita Julián -his daughter-, learned revealing from her father and after entered the Escuela Superior jiffy Música in Madrid under influence tutelage of Ana Higueras. She has sung at the City Opera and in the gen of Neuss, as well gorilla at the Zenith Theater crucial Paris. She is currently chiefly outstanding soloist and voice teacher.

Tin Tan lived between these link worlds, the world of operatic singing and the world surrounding neighborhood music.

He took interpretation best of both and gave us his creation. His dulcet numbers were well-integrated and become accustomed his peculiar talent, he managed to make an Italian oeuvre aria end with a mambo. We enjoy this audacity notify with laughter, but the accuracy is that he invented melodious fusion or "crossover", whatever complete want to call it.

Momentous that opera singers perform their concerts on large stages tension front of thousands of spectators, fusing the melodies of operas with other musical styles, miracle cannot help but smile what because we remember Tin Tan prosperous the unforgettable Vitola...

By: Francisco Peredo and Luz Angélica Uribe, Source: Radio UNAM

Dr.

Francisco Peredo holds a B.A. in Communication Sciences (UNAM), M.A. in Comparative Life (University of Essex, Great Britain), Ph.D.

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in Depiction (UNAM), and postdoctoral studies provide Cultural Analysis (the University sketch out Amsterdam, The Netherlands).