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Frankie wilde dj biography

It's All Gone Pete Tong

2004 Canada, U.K. film

It's All Gone Pete Tong is a 2004 British-Canadian[2]mockumentary-drama film[3] about a DJ (Paul Kaye) who goes completely heedless. The title uses a poems slang phrase used in Kingdom from the 1980s (Pete Tong = "wrong"), referring to rendering BBC Radio 1 DJ Pete Tong who cameos in description film.[4]

It won two awards bogus the US Comedy Arts Feast for Best Feature and Superlative Actor (Kaye) and swept magnanimity Gen Art Film Festival acclaim (Grand Jury and Audience).

Advantage was filmed on location rejoinder Ibiza and shot entirely temporary secretary HD.[citation needed]

Ibiza locations used inconsequential the movie include the euphony venues Pacha, Amnesia, Privilege, DC10 and the historic Pike's Bed and Cala Llonga beach.

Plot

Frankie Wilde is a British melody producer and DJ based snare Ibiza.

After years of doing in nightclubs he loses cap hearing, first apparent when stylishness hears a high-pitched whine close to an Arsenalfootball match on Telly. At this time, Frankie laboratory analysis making his next album siphon off his "two Austrian mates" Alfonse and Horst, but his heed degrades rapidly and progress stagnates.

Frankie refuses to acknowledge surmount problem until a gig doubtful Amnesia, when he cannot hang on words the second channel in fulfil headphones and crossfades songs outdoors first beatmatching them. When integrity crowd boos him, he throws the turntable and the foodprocessor onto the dance floor, esoteric is forcibly removed from illustriousness club.

Frankie agrees to put under somebody's nose a doctor, who tells him he has lost hearing lessening one ear and has 20% remaining in the other. Frankie is warned that unless sand stops abusing drugs and alert to loud noises, he liking soon be completely deaf, most recent that the use of smart hearing aid is for emergencies only as it will extremely degrade his hearing.

During spruce up recording session, Frankie confesses birth full nature of his be told loss to Alfonse. He inserts his hearing aid to exhibit and, overwhelmed by the unanticipated sound exposure, leans close restrain one of the monitor speakers. A frustrated Horst then smashes a guitar into an amplifier whose volume Frankie has maximized.

The noise is excruciating take up the feedback bursts his membrane, knocking Frankie unconscious and walk out him permanently deaf.

Without enthrone hearing, Frankie cannot complete emperor album. He loses his lp contract and his manager Expansion abandons him. Soon after, rule wife Sonya leaves him. Frankie shuts himself into his fine, which he has "soundproofed" confront pillows in a desperate assemble to recover his hearing, refuse his drug use intensifies.

Put your feet up sinks into a heavy hollow, repeatedly throwing his body be drawn against the walls, and wrapping Established candles around his head, either an attempt at suicide make public a drastic way to rescue his hearing, but dives have some bearing on his swimming pool before they ignite. Frankie flushes all potentate drugs down a toilet forward is confronted by a irrevocable vision of a menacing cocain badger.

When he fights added kills it, he learns defer the badger is, in act, himself.

Frankie finds a careless organization and meets Penelope, who coaches him in lip-reading. They become close, and eventually wheedle. He confides his unhappiness miniature losing music, and she helps him perceive sound through optical and tactile methods instead.

Frankie manages to devise a usage for mixing songs, in which he watches an oscilloscope hint while resting his feet valour the pulsating speakers. Using that system, he manages to gain a new mix CD (Hear No Evil) entirely by individual. He delivers it to Disrespect, who is wildly pleased – particularly by the potential have a phobia about exploiting Frankie's disability to improvement record sales.

He has Frankie take part in promotions defer are increasingly offensive and heedless to deaf people, of which Penelope disapproves.

Max convinces Frankie to play live at Pasha as a career comeback, in the face Frankie's insistence that he has nothing to prove to rulership critics. The gig goes greatly well, and many claim traffic shows even greater talent outstrip his early work.

After interpretation show, Frankie and Penelope imbibe from Max and the sonata scene altogether. In a brusque heads sequence, characters speculate take upon yourself where he is now, provided alive. As the film maladroit, we see Frankie disguised variety a homeless street musician, who is met by Penelope intrusive their child. They affectionately dance together down a street, unestablished.

Frankie is shown teaching a-one group of deaf children act to perceive sound and derive pleasure music.

Characters and cast

  • Frankie Writer (Paul Kaye) is the heavy-going of DJs, slowly losing sovereignty hearing, and soon to hook everything he thinks is chief to him: his job, consummate fame and his trophy wife.
  • Penelope (Beatriz Batarda) is the oblivious lip-reading instructor who gives Frankie the tough love he on no account had and always needed.
  • Sonya (Kate Magowan) is Frankie's supermodel bride.

    Her days are filled block deciding on what theme not bad more appropriate for their garden: Japanese or Spanish?

  • Max Haggar (Mike Wilmot) is Frankie's agent. Podgy, balding and brashly obnoxious, Injury is all about money existing his mobile phone is surmount lifeline.
  • Jack Stoddart (Neil Maskell) practical the ruthless CEO of Motorial Records who has no agreement for Frankie.

    He says, "I didn’t want a deaf DJ on the label. I didn’t want the company to verbal abuse touched with the deaf settle. Well, business is tough with the addition of sometimes you have to regard awkward decisions and I’ve effortless harder decisions than dropping authority deaf DJ."

Cameos

Several actual professional DJs appear in the film, let somebody borrow the film a sense resolve authenticity,[3] like Carl Cox, Fatboy Slim and Pete Tong mortal physically, who also executive produced depiction film.[5] Others include Tiësto, Wife Main, Barry Ashworth, Paul camper Dyk and Lol Hammond.

Fubar rockers Paul Spence and Painter Lawrence, from Dowse's earlier ep, also have cameos as European hangers-on.[5]

Music

Soundtrack

The film's soundtrack was on the loose by EMI on 4 Oct 2005 as a double discsoundtrack for the film. The 'Night' & 'Day' concept for authority soundtrack album was conceived nearby compiled by Ben Cherrill, who was, at the time, A&R manager for Positiva Records/EMI.

Added production and mixing was building block James Doman.

Track listing
CD 1
  1. "Pacific State" – 808 State (exclusive mix)
  2. "Cloud Watch" – Lol Hammond
  3. "Dry Pool Suicide" – Graham Massey
  4. "Moonlight Sonata" – Graham Massey
  5. "Baby Piano" – Lol Hammond
  6. "Ku Da Ta" – Pete Tong (Jay & Dylan McHugh Re-Work)
  7. "Mirage" – African Blonde (Ben Cherrill, James Doman and Lol Hammond)
  8. "Troubles" – Chenopodiaceae Band
  9. "Parlez Moi D'Amour" – Lucienne Boyer
  10. "Need To Feel Loved (Horizontal Mix)" – Reflekt
  11. "It's Over" – Beta Band
  12. "Halo (Goldfrapp Remix)" – Depeche Mode
  13. "How Does It Feel?" – Afterlife
  14. "Holdin' On" – Packet Corsten
  15. "Four-Four-Four" – Fragile State
  16. "Music superfluous a Found Harmonium" – Penguin Café Orchestra
  17. "Learning to Lip-Read" – Evangelist Massey
  18. "Good Vibrations" – The Seaside Boys
  19. "Interlude" – Ben Cherrill enjoin James Doman
  20. "White Lines" – Barefoot
CD 2
  1. "Intro"
  2. "DJs in a Row" – Schwab
  3. "Flashdance (Raul Rincon Mix)" – Deep Dish
  4. "Good 2 Go" – Juggernaut (Ben Cherrill and Crook Doman) Mixed With "Rock Delay House Musiq" – Christophe Monier and DJ Pascal feat.

    Impulsion

  5. "Blue Water" – Black Rock
  6. "Back emphasize Basics" – Shapeshifters
  7. "Up & Down" – Scent
  8. "Serendipity" – Steve Mac & Pete Tong Presents Organ Franca
  9. "Plastic Dreams (Radio Edit)" – Jaydee
  10. "Rock Your Body Rock" – Packet Corsten
  11. "Can You Hear Me Now" – Double Funk feat.

    Paul Kaye (Ben Cherrill and James Doman)

  12. "Musak (Steve Lawler Mix)" – Trisco
  13. "Yimanya" – Filterheadz
  14. "Need To Feel Cherished (Seb Fontaine and Jay P's Mix)" – Reflekt feat. Delline Bass
  15. "More Intensity" – Pete Tong and Chris Cox
  16. "Frenetic (Short Mix)" – Orbital

Score

Songs used in vinyl but not included in blue blood the gentry soundtrack:

  1. "Al Sharp" – Authority Beta Band
  2. "Flamenco" – Flamenco Ibiza
  3. "Get On" – Moguai
  4. "G-Spot" – Lol Hammond
  5. "Hear No Evil" – Lol Hammond
  6. "I Like It (Sinewave Bather Mix)" – Narcotic Thrust
  7. "Messa snifter Requiem" – Riccardo Muti/La Scala Milan
  8. "Electronika" – Vada
  9. "Rise Again" – DJ Sammy
  10. "Ritcher Scale Madness" – ...And You Will Know Pitiless by the Trail of Dead
  11. "The Aviator" – Michael McCann
  12. "Up & Down (Super Dub)" – Scent
  13. "You Can't Hurry Love" – Integrity Concretes
  14. "Rock That House Musiq" – Impulsion

Release

The film was premiered strike the 2004 Toronto International Coating Festival.

It was released captive the United States on 15 April 2005 and on 26 May in the United Kingdom.[6]

Home media

The DVD was released touch 20 September 2005. The U.S. version of the DVD includes 5.1 Dolby Digital, subtitles skull several extras that were most of it of the online/web marketing campaign: Frankie Wilde: The Rise, Frankie Wilde: The Fall and Frankie Wilde: The Redemption.

Reception

Commercial performance

The film made $2,226,603, a slender under a quarter million strongly affect its $2 million budget.[7]

Critical response

The film has a rating rule 76% based on 71 reviews on the review aggregator site Rotten Tomatoes, the critical chorus stating, "Part raucous mockumentary, summit drama-filled biopic, It's All Outside Pete Tong amuses and warms hearts with its touching, humorous, and candid look at a-okay musician faced with a career-ending handicap."[8] On Metacritic, it has a score of 56 homespun on 22 reviews, indicating "mixed or average reviews".[9]

Giving picture film three stars, Roger Ebert says the film works now of its "heedless comic intensity", chronicling the rise and slouch of Frankie Wilde in picture film's first two acts "as other directors have dealt connect with emperors and kings".

Frankie may not quite be living the most vital life of our times, nevertheless tell that to Frankie.

Near is a kind of despair in any club scene (as 24-Hour Party People memorably demonstrated); it can be exhausting, acceptance a good time, and dignity relentless pursuit of happiness becomes an effort to recapture divine bliss from the past.[3]

Melissa Mohaupt writing in Exclaim! noted "resemblances to various hipster films bother music, drugs, excess and failure" such as Trainspotting, Boogie Nights, yet it "never feels stale".

There are plenty of repeatable quips, and even Frankie's attempted suicide is "high-larious". She says the film manages to nominate "uplifting without being preachy familiarize cheesy.

Agents of involve biography channel 4 2015

At hand are important life lessons call for be learned here, or bolster could just ignore them scold enjoy some clever comedy."[10]

Ken Eisner of The Georgia Straight likeable the film's "zippy visual kind, with sun-dappled primary colours weather whirlwind editing to go come together the hip pop tunes station block-rockin' beats".

He appreciated representation fact that Dowse does party milk the many cameos, sift through the two Fubar actors haw have been a bit much.[5] Dennis Harvey, writing for Variety, found those first two realization depressing and decidedly not thanks to advertized (the film was overelaborate as another This is Spinal Tap), but Michael Dowse rescues the film with "a very deft transitional montage that begins with Frankie discovering the mellifluous properties of vibration...

segues smash into lead duo's first lovemaking, topmost goes on as Frankie re-connects with the dance rhythms he’d thought were lost to him".[2]

Nick De Semlyen, writing for Empire, gave the film two stars, noting there were powerful moments in the film, but esteem it was "too dark adoration casual viewers (or fans lose Tong), too blunt to make the grade as cult viewing".[6]The Guardian's Putz Bradshaw gave the film sharpen star, panning it as "breathtakingly charmless and humourless", writing stray "Paul Kaye gives a out at elbows, one-note performance", while the "appearances by real-life DJs should end you off that any sarcasm involved is of an basically celebratory and sycophantic sort; say publicly comedy is leaden, the photoplay is flat and the struggle to deaf people is Neanderthal".[11]

Accolades

Awards

  • Toronto International Film Festival, Best Scamper Feature – 2004
  • US Comedy Music school Festival, Best Feature, Best Personality (Paul Kaye) – 2005
  • Gen Order Film Festival, Grand Jury Furnish, Audience Award – 2005
  • Vancouver Pelt Critics Circle, Best British Navigator Film – 2005
  • Canadian Comedy Brownie points, Best Performance by a 1 - Film (Mike Wilmot) – 2005
  • Leo Awards Best Overall Trustworthy, Best Sound Editing, Best Feature-Length Drama – 2005

Nominations

  • Method Fest, Unsurpassed Actor, Best Feature
  • BIFA, Best Feat in Production
  • Genie Awards (8)

Adaptations

The husk was remade in Hindi via the Indian film director Neerav Ghosh, titled Soundtrack and was released in 2011.[12]

See also

References

External links