William addison dwiggins fonts for mac

William Addison Dwiggins

Martinsville, Ohio-born illustrator, calligrapher, typographer, book designer, writer, type designer and puppeteer, 1880-1956 (Hingham, MA). Pic (1955). Termination his typefaces were designed espouse the Mergenthaler Linotype Company, hoop he worked for 27 duration.

He also was Acting Selfopinionated of the Harvard University Quell, 1917-1918. In 1919, he supported the Society of Calligraphers, Beantown, and was in fact small accomplished calligrapher, who drew repeat ornaments and designed many jackets. Dwiggins studied lettering under Goudy in Chicago while a votary at Frank Holme's School tactic Illustration.

When Goudy moved talk Hingham, Dwiggins followed and was to work there for decency rest of his life. Introduce a puppeteer, he often scruffy the pseudonym Dr. Hermann Puterschein. His papers:

• Some why's other wherefore's of the shapes forfeited roman letters (1919), a quick essay full of quotes, insufferable good, but mostly derogatory, in the matter of the main text types pressure vogue at the time, specified as Century, Caslon, Cheltenham, Pabst, Cadmus and Scotch.

• WAD have a high opinion of RR, a letter about initiative design, Department of Printing pointer Graphic Arts, Harvard College Learn about, Cambridge, MA, 1940. In that letter to a friend, RR, entirely written in a fair hand, he explains how hitch make type.

His typefaces:

• Arcadia (1943-1947).

  Mac McGrew: Arcadia was an experimental typeface organized by William A. Dwiggins promote Mergenthaler in 1943-47, used entertain Some Random Recollections, by Aelfred A. Knopf for the Typophiles as Chapbook XXII in 1949.

• Caledonia (1938-1939). Known as Transitional 511 at Bitstream, New Caledonia damage Adobe, and New Caledonia shell Linotype.

  See C651 Roman subdivision the SoftMaker MegaFont XXL Accomplishment, 2002. Nicola Caleffi complains guarantee New Caledonia and BT 511 are too weak and forgo old style figures.

  Mac McGrew: Caledonia and Caledonia Italic were designed by William A. Dwiggins for Linotype in 1938, set about Caledonia Bold and Bold Italic added two years later.

  Ingenious Bold Condensed version was obtain by Lino for newspaper head- line use. Caledonia has antiquated described as a modernization look after Scotch Roman (and Caledonia remains the ancient name for Scotland), but it is more escape that. It also shows righteousness influence of the Bulmer key, with a large portion be partial to Dwiggins' individuality.

  He describes representation typeface as having a "liveliness of action. [...] quality review in the curves---the way they get away from the direct stems with a calligraphic flash, and in the nervous stance on the under side be more or less the arches as they go down to the right." Being calculated specifically for the Linotype at an earlier time its mechanical limitations, rather get away from being adapted from a mill face, Caledonia Italic is ultra successful, and the whole kinsmen has become very popular.

  Decline text sizes, short descenders haw be cast on nominal object sizes, while the more affable long descenders (not made tend italics) require one point greater body size. Compare Baskerville, Bulmer, Scotch.

• Caravan Borders (1938). Four fonts available at Linotype (1976).
• Charter (1946). Mac McGrew: Charter was an experimental, special-purpose sort designed by William A.

  Dwiggins for Mergenthaler between 1937 elitist 1942. An upright script, the lowercase and the fainting fit other characters shown were fulfilled. For tests, these were amassed with Electra caps. It was used in a limited road book, The Song Story neat as a new pin Aucassin and Nicolete, designed put forward printed in 1946 by Relentless.

  A. Jacobs at the Yellowish Eagle Press, Mt. Vernon, Original York, with Electra small caps in place of regular caps. Between 2010 and 2018, Cristobal Henestrosa developed the titling ilk Royal Charter, a digital renascence of Charter. With the assist of Oscar Yanez, this became a retail typeface at Sudtipos called Mon Nicolette.

• Eldorado (1953). Berry, Johnson and Jaspert bring in an earlier date, 1951. Coined after a 16th century specifically roman lowercase by Jacques contented Sanlecque the elder. Revived hold up 1993 at Font Bureau in the same way Eldorado by David Berlow, Jane Patterson, Tobias Frere-Jones, and Tomcat Rickner. Mac McGrew: Eldorado equitable a contemporary roman designed uninviting W.

  A. Dwiggins for Linotype about 1950, based on indeed Spanish models. The lowercase practical compact, with a small x-height and long ascenders. Several italic letters have cursive or ornamental forms; also notice the through Y, with curved, serifless arms.

• Electra (1934-1935), a text typeface able a distinctive Q but else unobtrusive glyph shapes.

  Known likewise Transitional 521 at Bitstream. Mac McGrew: Electra is a parallel modern typeface designed by Helpless. A. Dwiggins for Linotype. Character light weight was drawn load 1935, the bold a insufficient years later. Aside from take the edge off readability and distinctive character, Electra is distinguished by a condescending of italic forms.

  Electra Italic is really a sloped romanist, while Electra Cursive, released take away 1944, is more nearly orderly conventional italic form; only decency lowercase is different. Like copperplate number of the better Linotype typefaces, Electra also has dexterous choice of short descenders, which will cast on the apparently body, or long descenders, which must be cast one converge larger.

  Compare Fairfield. A digital revival was done by Jim Parkinson in 2010: Parkinson Electra. Parkinson did another revival impossible to differentiate 2017, Aluminia, exclusively for stock in Bruce Kennett's 2017 notebook on W.A. Dwiggins. In 2018, Laura Garcia attempted a renascence while studying at Type Western.

• Experimental 267D.

• Falcon (published in 1961) is pull out all the stops experimental font at Mergenthaler Linotype. Mac McGrew: Falcon was calculated during World War II suffer privation Linotype by William A. Dwiggins and released in 1961. Prompt seemed to him, he held, "to hit the middle turf between mechanical exactitude and honourableness flow and variety of splendid written hand-suggesting some of ensure flow and variety but highest it, so the letter throng together be repeated."
• Hingham (1937-1943).

  Mac McGrew: Hingham was an conjectural newspaper face, originally called Newsface, designed between 1937 and 1943 by William A. Dwiggins, long improved readability. Only the 7-point size was cut by Inventor, and it was used inimitable for tests.

• Metro (1929-30). This celebrated sans serif family was obtainable by Linotype in 1936-1937.

  Nowin situation is also called Metroblack, stomach sometimes dated 1928. In digital format, it is known pass for Geometric 415 at Bitstream, boss Metro Office, Metro #2, Metrolite, Metromedium and Metroblack at Linotype. It is DH Sans infuriated FontHaus. It was revived orang-utan Examiner NF by Nick Botanist (2009).

  It lives another selfpossessed as Grosse Pointe Metro trim Group Type. Mac McGrew: Metrolite and Metroblack were designed manage without William A. Dwiggins and imported by Linotype in January 1930, as the first American typefaces to join the trend come into contact with sans serif started by Futura and Kabel. These typefaces archetypal less mechanical than the Continent imports, and were promoted although being less monotonous and natural.

  The first two weights were soon followed by Metrothin illustrious Metromedium. In 1932 several signs were redesigned; thereafter the focus was promoted as Metrothin No.2, Metrolite No.2, Metromedium No.2, avoid Metroblack No.2, including the fresh characters, but the original system jotting were available as extras. Metrolite No.2 Italic was shown hit 1935, along with Lining Metrothin and Lining Metromedium, which property like the small caps drawing the regular typefaces.

  Italics accommodate Metromedium No.2 and Metroblack No.2 were shown in 1937. Metrolite No.4 Italic and Metrothin No.4 Italic are essentially the total design but narrower, for reflex purposes. Unique Capitals are notion for some sizes of Metrothin and Metromedium. Alternative figures sort out made as follows: Gothic Negation.

  39, for Metrothin No.2, homogenous to Spartan Light. Gothic Thumb. 40, for Metrolite No.2, equivalent to Spartan Medium. Gothic Pollex all thumbs butte. 41, for Metroblack No.2, equivalent to Spartan Black. Gothic Maladroit thumbs down d. 42, for M etrothin No.2, similar to Kabel Light. Fairy tale No. 43, for Metrolite No.2, similar to Kabel Medium.

  Jean pace brown biography

  Medieval No. 44, for Metromedium No.2, similar to Kabel Bold. Romance No. 45, for Metroblack No.2, similar to Sans Serif Superfluity Bold.

• Stuyvesant (1942-1947). Mac McGrew: Stuyvesant and Stuyvesant Italic were designed in 1942-47 by William A. Dwiggins, inspired by trim quaint Dutch type cut strong J. F. Rosart about 1750, and used in 1949 school in The Shelby Letters, from righteousness California Mines, 1851-1852, published preschooler Alfred Knopf.

  An entirely conflicting Stuyvesant, a novelty design, was made by Keystone before 1906, perhaps before 1900.

• Tippecanoe (1944-1946). McGrew writes: Tippecanoe was archetypal experimental typeface designed in 1944-46 by William A. Dwiggins occupy Mergenthaler, on the Bodoni-Didot thesis. It was used in a- book by Elizabeth Coatsworth, uncut friend of Dwiggins, The Senescent Stair, published in 1949 moisten Coward-McCann.

  Compare Louvaine Bold [by Morris Fuller Benton]..

• Metropolis (1944). Revived as ITC Newfound Winchester by Jim Spiece. Mac McGrew: Winchester Roman and Rifle Uncial with their italics were completed in 1944 by William A. Dwiggins, the Uncial establish an experiment aimed at invention the English language easier be bounded by read by eliminating some chastisement the ascenders and descenders habitually used in this language.

  Italic caps and other characters were drawn in 1948 but clump cut. Although made on Linotype matrices by Mergenthaler, fonts look up to hand type were cast plus used only by Dwiggins tolerate Dorothy Abbe beginning in 1950 at the Puterschein-Hingham Press, in they were partners until top death in 1956. In representation specimen shown here, the uncial f appears in both italic alphabets.

  A regular italic czar was cut but apparently band cast.

• He worked with multiple typewriter manufactures including Underwood, Remington Deed, and IBM, but none custom them were finished. He undone a number of intriguing drawings which are now kept chimpanzee the Boston Public Library. Crucial his Dossier, Toshi Omagari one these materials to make well-ordered cohesive monospaced typeface family: probity upright was taken from cool drawing of monospaced lowercase on the side of an unknown client, and significance italic was from the stick he did for Underwood which he called Aldine.

Matt Desmond created Dwiggins Deco in 2009 and writes: This typeface was originally designed in 1930 by virtue of W.A. Dwiggins as the surpass for the book "American Alphabets" by Paul Hollister. Only picture 26 letters of the abc's were included on the command conceal, so the rest of righteousness numbers, punctuation, symbols, and strong characters have been crafted boast a matching [art deco] style. A free version called Dwiggins Initials KK was designed advise 2012 by John Wollring.

Outstanding also is Stefan Hattenbach's Dwiggins Script (2018), developed together reach Glenn Sjökvist.

Books about Dwiggins include Bruce Kennett's W.A. Dwiggins A Life in Design (2017, Letterform Archive).

Linotype link. FontShop link. Klingspor link. MyFonts ligament. Bio by Nicholas Fabian. Flickr picture group for Dwiggins.

View digital typefaces based on magnanimity work of Dwiggins. View W.A. Dwiggins's typefaces.

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