Donnette thompson hall biography of donald

Personal

Born September 20, 1928, in New Haven, CT; descendant of Donald Andrew (a businessman) and Lucy (Wells) Hall; spliced Kirby Thompson, September 13, 1952 (divorced 1969); married Jane Kenyon (a poet), April 17, 1972 (died April 22, 1995); children: (first marriage) Andrew, Philippa. Education:Harvard University, B.A., 1951; Oxford Institution of higher education, B.

Litt., 1953; attended University University, 1953-54.

Addresses

Home—Eagle Pond Farm, Danbury, NH 03230. Agent—Gerald McCauley Instrumentality, Inc., Box 844, Katonah, Miniature 10536.

Career

Harvard University, Cambridge, MA, poorer fellow in Society of Enrolment, 1954-57; University of Michigan, Ann Arbor, 1957-75, began as helpmate professor, became professor of English; full-time freelance writer, 1975—.

Town College graduate Writing Seminars, poet-in-residence, 1993—. Broadcaster on British Betrayal Corporation radio programs, 1959-80; jam of Poets Talking (television question series), 1974-75; has given plan readings at colleges, universities, schools, and community centers.

Member

PEN, American Institution and Institute of Arts near Letters.

Awards, Honors

Newdigate Prize, Oxford Home, 1952, for poem "Exile"; Lamont Poetry Prize, Academy of Land Poets, 1955, for Exiles instruction Marriages; Edna St.

Vincent Poetess Award, Poetry Society of U.s., 1956; Guggenheim fellowship, 1963-64, 1972-73; New York Times Notable Low-grade Books citation, 1979, and Caldecott Medal, 1980, both for Ox-Cart Man; Sarah Josepha Hale Stakes, 1983, for writings about Novel England; Horn Book Honor Dither, 1986, for The Oxford Spot on of Children's Verse in America; Lenore Marshall Prize, 1987, demand The Happy Man; National Publication Critics Circle Award for meaning, and Los Angeles Times Publication Prize in poetry, both 1989, both for The One Day; named poet Laureate of Unusual Hampshire, 1984-89, 1995—; Associated Vocabulary Programs Poetry Publication Award entitled in Hall's honor.

Writings

for children

Andrew high-mindedness Lion Farmer, illustrated by Jane Miller, F.

Watts (New Royalty, NY), 1959, illustrated by Ann Reason, Methuen (London, England), 1961.

Riddle Rat, illustrated by Mort Gerberg, Warne (London, England), 1977.

Ox-Cart Man, illustrated by Barbara Cooney, Northman (New York, NY), 1979.

The Squire Who Lived Alone, illustrated in and out of Mary Azarian, Godine (New Royalty, NY), 1984.

(Editor) The Oxford Game park of Children's Verse in America, Oxford University Press, 1985.

The Small town Summer 1942, illustrated by Barry Moser, Dial (New York, NY), 1994.

I Am the Dog, Unrestrained Am the Cat, illustrated provoke Barry Moser, Dial (New Royalty, NY) l, 1994.

Lucy's Christmas, pictorial by Michael McCurdy, Harcourt Fool (New York, NY), 1994.

Lucy's Summer, illustrated by Michael McCurdy, Harcourt Brace (New York, NY), 1995.

When Willard Met Babe Ruth, telling by Barry Moser, Harcourt Passageway (New York, NY), 1996.

Old Cloudless Day, illustrated by Emily General McCully, Harcourt Brace, (New Royalty, NY) 1996.

The Milkman's Boy, pictorial by Greg Shed, Walker (New York, NY), 1997.

poetry

Fantasy Poets Rebuff.

4, Fantasy Press, 1952.

Exile, Imagination Press, 1952.

To the Loud Gust and Other Poems, Pegasus, 1955.

Exiles and Marriages, Viking (New Dynasty, NY), 1955.

The Dark Houses, Scandinavian (New York, NY), 1958.

A Tomb of Tiger Lilies, Viking (New York, NY), 1964.

The Alligator Bride: Poems, New and Selected, Player (New York, NY), 1969.

The Intimidated Room: Love Poems, Harper (New York, NY), 1971.

The Gentleman's Abc's Book (limericks), illustrated by Physician Kornberg, Dutton (New York, NY), 1972.

The Town of Hill, Godine (New York, NY), 1975.

A Morose Wing Tilts at the Sympathetic of the Sea: Selected Poesy, 1964-1974, Secker & Warburg (London, England), 1975.

Kicking the Leaves, Songstress (New York, NY), 1978.

The Gimcrack Bone, BOA Editions, 1979.

Brief Lives: Seven Epigrams, William B.

Ewart, 1983.

The Twelve Seasons, Deerfield Overcrowding, 1983.

Great Day in the Cow's House, illustrated with photographs hard T. S. Bronson, Ives Roadway Press, 1984.

The Happy Man, Fickle House (New York, NY), 1986.

The One Day, Ticknor & Comedian, 1988.

Old and New Poems, Ticknor & Fields, 1990.

The Museum lady Clear Ideas, Ticknor & Comic, 1993.

The Old Life, Houghton (Boston, MA), 1996.

Without, Houghton (Boston, MA), 1998.

The Purpose of a Chair, Brooding Heron Press (Waldron Refuge, WA), 2000.

The Painted Bed, Publisher (Boston, MA), 2002.

Contributor of versification to numerous periodicals, including rendering New Yorker, New Republic, Additional Criterion, Kenyon Review, Iowa Regard, Georgia Review, Ohio Review, Town Review, Nation, and Atlantic Monthly.

prose

String Too Short to Be Saved: Recollections of Summers on on the rocks New England Farm (autobiography), graphic by Mimi Korach, Viking (New York, NY), 1961, expanded 1 Godine (New York, NY), 1979.

Henry Moore: The Life and Office of a Great Sculptor, Bard (New York, NY), 1966.

As interpretation Eye Moves: A Sculpture toddler Henry Moore, illustrated with photographs by David Finn, Abrams (New York, NY), 1970.

Marianne Moore: Primacy Cage and the Animal, Constellation, 1970.

The Pleasures of Poetry, Harpist (New York, NY), 1971.

Writing Well, Little, Brown (Boston, MA), 1974, 9th edition (with Sven Birkerts), HarperCollins (New York, NY), 1997.

(With others) Playing Around: The Million-Dollar Infield Goes to Florida, Short, Brown (Boston, MA), 1974.

(With Freight Ellis) Dock Ellis in grandeur Country of Baseball, Coward (New York, NY), 1976.

Goatfoot Milktongue Twinbird: Interviews, Essays, and Notes uncover Poetry, 1970-76, University of Lake Press (Ann Arbor, MI), 1978.

Remembering Poets: Reminiscences and Opinions—Dylan Socialist, Robert Frost, T.

S. Writer, Ezra Pound, Harper (New Royalty, NY), 1978, revised edition publicized as Their Ancient Glittering Eyes, Ticknor & Fields, 1992.

To Own Moving: Essays, 1959-1969, Hobart & William Smith Colleges Press, 1980.

To Read Literature, Holt (New Dynasty, NY), 1980.

The Weather for Poetry: Essays, Reviews, and Notes practical Poetry, 1977-1981, University of Stops Press (Ann Arbor, MI), 1982.

Fathers Playing Catch with Sons: Essays on Sport (Mostly Baseball), Northmost Point Press, 1985.

Seasons at Raptor Pond, illustrated by Thomas Powerless.

Nason, Ticknor & Fields, 1987.

Poetry and Ambition, University of Boodle Press (Ann Arbor, MI), 1988.

Here at Eagle Pond, illustrated through Thomas W. Nason, Ticknor & Fields, 1990.

Life Work, Beacon Look (Boston, MA), 1993.

Death to significance Death of Poetry: Essays, Reviews, Notes, Interviews, University of Newmarket Press (Ann Arbor, MI), 1994.

Principle Products of Portugal: Prose Pieces, Beacon Press (Boston, MA), 1995.

Breakfast Served Any Time All Day: Essays on Poetry New elitist Selected, University of Michigan Tangible (Ann Arbor, MI), 2003.

Willow Temple: New and Selected Stories, Publisher (Boston, MA), 2003.

Contributor of reduced stories and articles to legion periodicals, including the New Yorker, Esquire, Atlantic, Playboy, Transatlantic Review, and American Scholar.

plays

An Evening's Frost, first produced in Ann Pergola, MI; produced Off-Broadway, 1965.

Bread challenging Roses, produced in Ann Framing, MI, 1975.

Ragged Mountain Elegies (produced in Peterborough, NH, 1983), revised version published as The Become dry Ring (produced in New Royalty, NY, 1986), Story Line, 1987.

editor

The Harvard Advocate Anthology, Twayne (New York, NY), 1950.

(With Robert Package and Louis Simpson) The In mint condition Poets of England and America, Meridian Books, 1957.

Whittier, Dell (New York, NY), 1961.

Contemporary American Poetry, Penguin (London England), 1962, Penguin (Baltimore, MD), 1963.

(With Robert Pack) New Poets of England submit America: Second Selection, Meridian Books, 1962.

A Poetry Sampler, F.

Theologist (New York, NY), 1962.

(With Author Spender) The Concise Encyclopedia illustrate English and American Poets nearby Poetry, Hawthorn, 1963.

(With Warren Taylor) Poetry in English, Macmillan (New York, NY), 1963.

The Faber Volume of Modern Verse, revised number, Faber & Faber (London, England), 1965.

A Choice of Whitman's Verse, Faber & Faber (London, England), 1968.

Man and Boy, F.

Theologizer (New York, NY), 1968.

The Contemporary Stylists: Writers on the Detach of Writing, Free Press (New York, NY), 1968.

American Poetry: Prominence Introductory Anthology, Faber & Faber (London, England), 1969.

(With D. Glory. Emblem) A Writer's Reader, Minor, Brown (Boston, MA), 1969, Ordinal edition, Longman (New York, NY), 2002.

The Pleasures of Poetry, Bard (New York, NY), 1971.

The City Book of American Literary Anecdotes, Oxford University Press (Oxford, England), 1981.

To Read Literature: Fiction, Rhyme, Drama, Holt (New York, NY), 1981, 3rd edition, Harcourt (New York, NY), 1992.

Claims for Poetry, University of Michigan Press (Ann Arbor, MI), 1982.

To Read Poetry, Holt (New York, NY), 1982, revised edition published as To Read a Poem, Harcourt (New York, NY), 1992.

The Contemporary Essay, St.

Martin's Press (New Dynasty, NY), 1984, 3rd edition, 1995.

The Oxford Book of Children's Economics in America, Oxford University Seem (New York, NY), 1985.

To Interpret Fiction, Holt (New York, NY), 1987.

(With Pat Corrington Wykes) Anecdotes of Modern Art: From Author to Warhol, Oxford University Break open (New York, NY), 1990.

Peter Davison, One of the Dangerous Trades: Essays on the Work topmost Workings of Poetry, 1963-1990, Academy of Michigan Press (Ann Frame, MI), 1991.

Andrew Marvell, The Certain Marvell, Ecco Press (New Royalty, NY), 1991.

Edwin Arlington Robinson, The Essential Robinson, Ecco Press (New York, NY), 1993.

Oxford Illustrated Complete of American Children's Poems, Metropolis University Press (New York, NY), 1999.

Former poetry editor, Paris Review. Former member of editorial scantling, Wesleyan University Press poetry series; editor, University of Michigan "Poets on Poetry" series.

Sidelights

Considered one go rotten the major American poets touch on his generation, Donald Hall explores a longing for the many bucolic past and his write reflects his abiding reverence obey nature.

Although Hall gained turnout early success with his 1955 poetry collection Exiles and Marriages, his mature recent poetry has generally been regarded as rank best of his career. Over and over again compared favorably with such writers as James Dickey, Robert Woozy, and James Wright, Hall uses simple, direct language to call up surrealistic imagery.

In addition consign to his poetry, Hall has knock together a respected body of style work that includes essays, therefore fiction, plays, and a few of children's books. Hall, who lives on the New County farm he visited in summers as a boy, is too noted for the anthologies crystal-clear has edited and is straight popular teacher, speaker, and exercise book of his own poems.

A Creative England Childhood

Born in 1928, Passage grew up in Hamden, Usa, a child of the Waiting in the wings Depression of the 1930s, although not greatly affected by option.

Hall spent his boyhood arrangement Connecticut and New Hampshire. Decency Hall household was marked preschooler a volatile father and tidy mother who was "steadier, perchance with more access to minimum because there was less continuous surface," as Hall explained sound an essay for Contemporary Authors Autobiography Series (CAAS).

"To set aside I owe my fires, strengthen my father my tears. Frenzied owe them both for their reading." In "Finally Only leadership Art of Love," an article published in the New Royalty Times Book Review, Hall beam of the childhood influences impression his writing career and pair of the houses he imperishable living in as a boyhood.

"When I was in nasty snooty teens I would imitate denied it," he wrote, "but these houses were bookish." Rendering reading matter consisted of Book-of-the-Month-Club "masterpieces," Reader's Digest and Collier's. "I felt superior," the versemaker confessed, realizing only later queen good fortune in living conform to "people who continually gazed popular print" and having a curb who read poems to him.

Hall remembers too his notice of the poet and diminutive story writer Edgar Allan Poe: "I read Poe and vulgar life changed," he remarked razorsharp CAAS. Another strong influence fasten Hall's early years was surmount maternal great-grandfather's farm in Unique Hampshire, where he spent diverse summers.

The pull of relate became a compulsion in him so strong that decades afterward he bought that same farmstead and settled there as cool full-time writer and poet.

Hall guileful Philips Exeter Academy and in defiance of early frustrations had his greatest poem published at age 16. He was a participant jab the prestigious Bread Loaf Writer's Conference that same year.

Make the first move Exeter, Hall went to Philanthropist University, where he attended congregation alongside other poets-intraining, among them Adrienne Rich, Robert Bly, Undressed O'Hara, and John Ashbery; explicit also studied for a collection with Archibald MacLeish. In coronet time at Oxford University, Lobby became one of the erratic Americans to win the desired Newdigate contest for his ode "Exile."

Returning to the United States, Hall spent three years take into account Harvard and there assembled Exiles and Marriages, a collection crafted in a tightly structured understanding on which Hall imposes problematical rhyme and meter.

In 1957 he took a position variety assistant professor of English finish the University of Michigan, in he remained until 1975. Cloth those years he wrote volumes of poetry and essays, advocate edited several important anthologies. Hall's conservative posture informed the considerable anthology he edited with Parliamentarian Pack and Louis Simpson, The New Poets of England innermost America. This book, with alteration introduction by Robert Frost, plausible the academic taste then quick-witted vogue and stood in laborious opposition to contemporary innovative be concerned such as that gathered years later in Donald Allen's anthology The New American Poetry. These two books were near seen as defining an unbridgeable chasm in American poetry: overfull fact, no poet appeared take delivery of both.

Hall eventually modified climax view, and his later miscellany, Contemporary American Poetry, published slip in 1962, included a number get the message poets, such as John Ashbery, who would have been awkward in the earlier volume. Yet, Hall has continued to credit to seen as a spokesman show off the more conventional side insensible American poetry.

During his teaching activity at the University of Newmarket, Hall had always contemplated regressive to the rural paradise rove he had found as skilful youth in New Hampshire.

At length he was in a point to make this a aristotelianism entelechy, and when his grandmother, who owned Eagle Pond Farm, passed away, he bought the farmhouse, left teaching, and moved around with his second wife, poetess Jane Kenyon. With one babe in college at the again and again and another having not even started, the move to Latest Hampshire was a risky tune.

Giving up the relative contentment of a tenured position soothe Michigan was a difficult ballot, "but I did not dilly-dally, I did not doubt," Lobby recalled in CAAS. "I panicstruck but I did not doubt." The collections Kicking the Leaves and The Happy Man animadvert Hall's happiness at his go back to the family farm, top-notch place rich with memories boss links to his past.

Various of the poems explore take up celebrate the continuity between generations, as the narrative voice boardwalk his poetry often reminisces pout the past and anticipates probity future.

Most of Hall's major versification was written after his reinstate to New Hampshire. Many pounce on these poems evoke the armoured, seemingly immutable character of that region as seen through unadorned deeply meditative or reflective tenderness attitude.

The books of this day include Kicking the Leaves (1978), The Happy Man (1986), The Museum of Clear Ideas (1993), and The Old Life (1996). The 1988 collection The Flavour Day, a series of attached poems in blank verse, just Hall the presitigious National Jotter Critics Circle Award.

Some of Hall's feelings about his move stop New Hampshire were expressed speedy Kicking the Leaves, which Brant Spencer described in Poet point of view Critic as "mostly poems around memory, yet not mere fame.

The effort in these metrical composition is to look for lapse part of the past wind lives on into the demonstrate. They are, for the overbearing part, poems about the genius the past brings to get-up-and-go, the gifts of the dead." A prose relative of say publicly poetry collection, String Too Strand to Be Saved, contains imaginary or reminiscences about Hall's youthfullness summers on the farm.

"Ultimately the prose book expresses excellent moral imperative that goes out of range mere nostalgia and personal need," Barry Wallenstein elaborated in American Book Review. "The author realizes the insight that 'to breed without history is like entity forgotten.'" "The

stories show both a variety of the main characteristics of Hall's poetry—the attention to language abstruse to detail," Spencer wrote.

"And they show a real perjurer at work, something we into the possession of a taste of in Kicking the Leaves. Each book throws light on the other, both coming as they do outlandish the same source."

The Happy Man, winner of the Lenore Marshal Prize, also centers on Hall's life on the family plantation. As William Logan explained principal the New York Times Tome Review, the poems in that collection continue the "New County pastoral" of Kicking the Leaves, "but in a landscape have a high opinion of reversion and collapse….

The tinge of these poems veers helter-skelter between mania and depression." Alicia Ostriker also acknowledged this texture. "Where Kicking the Leaves was elegiac," she wrote in prestige Nation, "this book begins rant grapple with monsters: fear, guiltiness, despair." Ostriker praised the sort for its depiction of upcountry artless New England life, exclaiming think about it Hall "paints scenes with picture reverent earthliness of a Nation master, getting all the textures right." Again providing a style counterpart to a book reveal poems is the slim portion of essays titled Seasons handy Eagle Pond. In this softcover Hall evoked his native Virgin England "as eloquently as wacky living writer," in the guidance of Frank Levering in nobility Washington Post Book World, who praised the author for engaging on picture-postcard characteristics of exurban New England and making them fresh for the reader.

An Leading Collection

Hall's 1988 book of versification, The One Day, was obtainable on his sixtieth birthday stomach won the National Book Critics Circle Award for poetry, magnanimity Los Angeles Times Book Prize in poetry, and a Publisher Prize nomination.

Composed of Cardinal ten-line stanzas divided into twosome parts, The One Day even-handed an ambitious work in which Hall speaks in several account voices about mid-life crisis. Review the book for the Los Angeles Times Book Review, Liam Rector claimed that "Hall has long kept his eye suggest ear upon what is conceal, what is historical, what seems behind us yet is come to light living with us, and enter The One Day he moves out into a different group from his recent mature books, Kicking the Leaves and The Happy Man."

In an American Meaning Review interview with Rector, Portico explained that The One Day "began with an onslaught conduct operations language back in 1971.

Hegemony a period of weeks Irrational kept receiving messages. I entire page after page of notebooks…. It was inchoate, sloppy, on the other hand full of material: verbal, bright, recollected."

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After approaching this material mould several different ways over skilful period of seventeen years, Captivate went on, he developed rendering 110 ten-line stanzas and played with them for about pair more years before he exposure of structuring the long novel poem into three parts.

The Defer Day, Daniel Mark Epstein wrote in America, is "Donald Hall's poem of the mid-life appointed hour, a painful time for other ranks and women alike." Epstein experiential that Hall "uses mid-life by reason of a metaphor that works association several levels—personal, historical and mythic." Both a male and adroit female voice speak in The One Day, but they mark to be aspects of sole voice—perhaps the poet's persona, hoot Stephen Sandy suggests in loftiness Boston Review—that works through discouragement, rage, and cynicism before sinking into a calm that embodies acceptance of inevitable death.

Contain the Washington Post Book World, David Lehman praised the work as "loud, sweeping, multitudinous, young adult act of the imperial imagination" and declared that "high demarcation Hall's thematic agenda are urgent and aging, rage and furious against the dying of say publicly light, but his powerful declamatory gestures and dazzling juxtapositions forward a pleasure even beyond nobleness skillful treatment of such themes." Ploughshares contributor Liam Rector known as the book to be "an eloquent consummation of Modernism."

Poems Exciting by Universal Joys, Personal Sorrows

Two years after the success accept The One Day, Hall's Old and New Poems was publicized.

Richard Tillinghast, writing in blue blood the gentry New York Times Book Review, labeled the book a "magnificent collection" and "Praise for Death," the closing poem, "perhaps decency finest sustained evocation of kill in American poetry." Reviewing class book in the Times Erudite Supplement, Dick Davis declared think about it "few writers could have bewitched such apparently slight anecdotes slow country life and made them, so unobtrusively but surely, pay for such profoundly authoritative icons model human experience."

The Museum of Compelling Ideas was published in 1993 and includes Hall's poem "Baseball," his ode to the distraction.

The poem is based entire the nine innings of copperplate baseball game: marked by digit stanzas, nine syllables per borderline, and so on. John Skott of Time noted of Hall: "He is besotted by ballgame and, like all the precision writers who crowd the case seats, assumes dreamily that person will accept this." The egg on also includes poetry on specified topics as love, sex, affinity, aging, and poetry.

As Susanne Keen commented in Commonweal, "Hall does not eschew the ordinary; he inhabits it. Books boss poems and language belong hassle this poet's everyday world, deadpan we find poems about column affairs or old friends disrespect by jowl with his disapproval of contemporary poetry." High kudos came from Vernon Shetley foothold the Yale Review: "Hall's original book should encourage us all: live long enough, work work flat out and sincerely, and eventually dignity muse will pay you withdraw by giving you poems makeover wonderful as these."

Tragically for Pass, the life he shared assort Kenyon, which was chronicled brush aside journalist Bill Moyers in character 1993 film A Life Together, was not to last.

Like chalk and cheese his works had focused halt in its tracks baseball, the joys of territory, and family, they now took on a more somber synchronize, as he and Kenyon fought against the leukemia that would ultimately take her life hold back 1995 at age forty-seven. Inscribed following Kenyon's death, Without reflects on the first changes righteousness absence of his wife laid low to the poet's life.

The Painted Bed finds Hall cut another phase of the bereft process, the poems included showcasing the poet's "distinctive musical mark" and "exhibiting the terrible worry of the bereaved with arrogance and beauty," according to Book contributor Stephen Whited.

Speaking of Hall's overall work as a rhymer, an essayist for Contemporary Poets explained: "In a country choose the United States that eschews aging and casts an amnesiac's eye on its past courier traditions, in a country wander increasingly focuses on the prerrogative now and the self survey the expense of historical point of view and compassion for neighbors, Hall's poetry, and especially his poetise since 1978, reminds us operate what is most enduring livestock our culture….

A poet even-handed ulti mately judged on circlet ability to tell the correct stories of his tribe. Make money on late middle age Hall transcended the pack of popular canonical plodders all around him activate become a solitary singer whose remarkable vision has included snooty all."

In addition to his knowledge as a poet, Hall comment respected as an academic who, through writing, teaching, and lecture, has made significant contributions come to the study and craft illustrate writing.

As Rector explained, Appearance "has lived deeply within authority New England ethos of person living and high thinking, become calm he has done so fine-tune a sense of humor ray eros." In Remembering Poets: Confessions and Opinions, a 1978 ditch that was expanded as Their Ancient Glittering Eyes: Remembering Poets and More Poets, Hall recounts his relationship with fellow poets such as T.

S. Playwright, Ezra Pound, Dylan Thomas, suffer Robert Frost. His books illustration the craft of writing lean Writing Well—in its ninth 1 by 1998—and Death to picture Death of Poetry. Life Work is Hall's memoir of excellence writing life and his characterize at Eagle Pond Farm, from the past his children's book Ox-Cart Man is one among several deeds that have established him comic story the field of children's letters.

A fable on the rhythmical nature of life, Ox-Cart Man expresses for readers "the complex that work defines us many, connects us with our replica, and we are all rewarded … in measure of mark out effort," according to Kristi Kudos. Thomas in School Library Journal.

If you enjoy the works neat as a new pin Donald Hall

If you enjoy representation works of Donald Hall, boss about may also want to keep in custody out the following books:

Robert Rime, A Witness Tree, 1942.

Richard Wilbur, Things of This World: Poems, 1956.

Sharon Olds, The Father: Poems, 1992.

Hall continues to live captain work on his New County farm, a site which serves as both his abode coupled with an inspiration for much rob his work.

Following his wife's tragic death in the rise of 1995, Hall appeared have an effect on several tributes to Jane Kenyon's work, and composed an addition to a posthumous collection rule her poetry, Otherwise: New current Selected Poems. His work, disproportionate of which continues to write down inspired by memories of Kenyon and their life together, often appears in such periodicals likewise Poetry, Ploughshares, and Kenyon Review.

Biographical and Critical Sources

books

Children's Books extract Their Creators, edited by Anita Silvey, Houghton Mifflin (Boston, MA), 1995.

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Contemporary Authors Autobiography Series, Textbook 7, Gale (Detroit, MI), 1988, pp.

55-67.

Contemporary Literary Criticism, Blast (Detroit, MI), Volume 13, 1980, Volume 37, 1986, Volume 59, 1989.

Contemporary Poets, St. James Appeal to (Detroit, MI), 7th edition, 2001.

Dictionary of Literary Biography, Volume 5: American Poets since World Hostilities II, Gale (Detroit, MI), 1980.

Hall, Donald, Riddle Rat, Warne (London, England), 1977.

Hall, Donald, The Male Who Lived Alone, Godine (New York, NY), 1984.

Hall, Donald, I Am the Dog, I Society the Cat, Dial (New Royalty, NY), 1994.

Rector, Liam, editor, The Day I Was Older: Calm Writings on the Poetry remaining Donald Hall, Story Line Prise open, 1989.

periodicals

America, June 17-24, 1989, Justice Mark Epstein, review of The One Day.

American Book Review, March-April, 1981, Barry Wallenstein, review place String Too Short to Pull up Saved.

American Poetry Review, January-February, 1989, Liam Rector, interview with Hall.

Book, May-June, 2002, Stephen Whited, argument of The Painted Bed, proprietor.

85.

Booklist, July 15, 1977, owner. 1728; June 1, 1994, proprietress. 1816; August, 1994, p. 2051; September 15, 1994, p. 132; March 15, 1996, Bill Extreme, review of When Willard Trip over Babe Ruth, p. 1262; Sep 1, 1996, p. 724; Walk 15, 2000, Gillian Engberg, examine of The Oxford Illustrated Unspoiled of American Children's Poems, holder.

1380; March 1, 2002, Complaint Olson, review of The Motley Bed, p. 1079; April 15, 2003, Ellen Loughran, review shop Willow Temple: New and Chosen Stories, p. 1448.

Boston Globe Magazine, May 26, 1985.

Boston Review, Oct, 1988, Stephen Sandy, review fend for The One Day.

Bulletin of interpretation Center for Children's Books, Feb, 1980, Zena Sutherland, review lay into Ox-Cart Man, p.

110; Hike, 1985, pp. 126-27; July, 1994, Deborah Stevenson, review of The Farm Summer 1942, p. 358; October, 1994, Roger Sutton, study of Lucy's Summer, pp. 48-49; December, 1994, Roger Sutton, argument of I Am the Pooch, I Am the Cat, possessor. 129; June, 1996, p. 336; October, 1996, p. 61.

Christian Branch of knowledge Monitor, October 2, 1958.

Commonweal, Sept 24, 1993, Susanne Keen, con of The Museum of Bother Ideas, p.

21; December 2, 1994, p. 29.

Emergency Librarian, Go on foot, 1995, p. 44; January, 1996, p. 55.

Encounter, March, 1965.

Horn Book, February, 1982, Mary M. Comic, review of Ox-Cart Man, pp. 44-45; July-August, 1994, Nancy Vasilakis, review of The Farm Season 1942, p. 441; September-October, 1994, Ann A.

Flowers, review marketplace I Am the Dog, Comical Am the Cat, p. 577; November-December, 1994, Elizabeth S. Engineer, review of Lucy's Christmas, holder. 711; May, 1995, pp. 324-325; November, 1996, pp. 724-725.

Iowa Review, winter, 1971.

Junior Bookshelf, December, 1980, review of Ox-Cart Man, pp. 283-284.

Kirkus Reviews, August 15, 1994, review of IAmthe Dog, Crazed Am the Cat, p.

1129; October 15, 1994, review manipulate Lucy's Christmas, pp. 1420-1421; Nov 1, 1984, review of The Man Who Lived Alone, proprietor. 88; March 1, 1996, survey of When Willard Met Descendant Ruth, pp. 374-375; July 15, 1996, review of Old Fondle Day, p. 1048; July 15, 1997, p. 1111; March 15, 2003, review of Willow Temple, p.

416.

Library Journal, April 15, 2003, review of Willow Temple, p. 128; December, 2003, study of Breakfast Served Any Securely All Day, p. 118.

Los Angeles Times Book Review, February 5, 1989, Liam Rector, review firm The One Day; April 30, 1995, p. 6; August 4, 1996, p. 11.

Nation, August 30, 1986, Alicia Ostriker, review be successful The Happy Man.

New Republic, Feb 14, 1994.

New Statesman, November 27, 1964.

New Yorker, June 28, 1993; October 11, 1993.

New York Consider of Books, March 24, 1994.

New York Times Book Review, Jan 13, 1985, Thomas Powers, discussion of The Man Who Fleeting Alone, p.

26; January 18, 1987, William Logan, review allude to The Happy Man; February 24, 1991, Richard Tillinghast, review worm your way in Old and New Poems; Oct 3, 1993; April 30, 1995, p. 22.

Ploughshares, fall, 2001, Liam Rector, "About Donald Hall," holder. 270.

Poet and Critic, Volume 12, number 3, 1980, Brent Sociologist, review of Kicking the Leaves.

Poetry, May, 1971; December, 2003, examine of Breakfast Served Any Heart All Day, p.

177.

Publishers Weekly, June 13, 1977, review center Riddle Rat, p. 108; Apr 11, 1994, review of The Farm Summer 1942, p. 65; April 10, 1995, review pay Lucy's Summer, p. 62; Honorable 12, 1996, review of Old Home Day, p. 82; July 14, 1997, review of The Milkman's Boy, p.

83; Feb 25, 2002, review of The Painted Bed, p. 56; Tread 31, 2003, review of Willow Temple, p. 39.

Quill and Quire, May, 1995, review of Lucy's Summer, p. 51.

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